016 - Frank Bergon - The New Old West

A conversation with Frank Bergon about his 2019 collection of essays, Two-Buck Chuck and the Marlboro Man: The New Old West (University of Nevada Press, 2019)   Frank Bergon is Professor Emeritus of English at Vassar College. He is a novelist, essayist, and critic of the American West, and member of the Nevada Writers Hall of Fame. His new collection of essays, Two-Buck Chuck and the Marlboro Man: The New Old West, was published by University of Nevada Press in 2019. These essays focus on the San Joaquin Valley in California, bringing its history and present into conversation with one another. Bergon tells stories of the region's inhabitants, their experiences in seemingly traditional "Old West" contexts, and their grappling with "New West" economies and socio-cultural devleopments. In these stories we discover "wesern" identities that overlap, compete, and meld. Bergon uses the story of wine industry figure Fred Franzia to consider how individuals and industries navigate a region in constant transition. Bergon deconstructs western "identity" and iconic imagery through stories of his life-long friend Darrell Winfield - the real-life cowboy made famous in iconic "Marlboro Man" advertisements. Bergon presents vignettes from Winfield's life to illustrate the tensions between imagined, manufactured, and actual regional identities and lives. Bergon's eloquent storytelling reveals the complexity of the region and asks insightful questions about how we think about its past and present. ----more----  Podcast Notes: Host and Producer Brenden W. Rensink is Associate Director of the Redd Center, an Associate Professor of History at BYU, General Editor of the Intermountain Histories project, and author of the 2018 book Native but Foreign: Indigenous Immigrants and Refugees in the North American Borderlands. Links to other publications and projects here: https://linktr.ee/bwrensink Support provided by the Charles Redd Center for Western Studies at Brigham Young University. Podcast Music was written and recorded by local Provo composer by Micah Dahl Anderson.