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021: Kristie Wickwire

In 2016, what are the limits of what a magazine can do? Please Hold Magazine is a quarterly digital publication founded by Kristie Wickwire one year ago. Each issue collects multimedia pieces built around a different theme, the most recent issue's...

An episode of the Literature for the Halibut podcast, hosted by KDHX, titled "021: Kristie Wickwire" was published on January 2, 2016 and runs 21 minutes.

January 2, 2016 ·21m · Literature for the Halibut

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In 2016, what are the limits of what a magazine can do? Please Hold Magazine is a quarterly digital publication founded by Kristie Wickwire one year ago. Each issue collects multimedia pieces built around a different theme, the most recent issue's being "Home". Expanding the idea of literature beyond the written word, Please Hold compiles pieces poetry, video, audio, and even GIFs to accomplish what a print magazine cannot. Pictured: Mohsen Zare's contribution to the "Home" issue, a GIF titled "DVLottery to Home", which is discussed in the episode.

 

Also discussed in the episode: to hear the rest of Michael Ridge's Found Home Recordings, click here.

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Jyotsna_2020 Jyotsna Yadav NET qualified in English and a researcher is here to bust the boredom and hesitation which hinders you to take a positive step forward. This platform will give you confidence, boosting power, and knowledge of literature for the students who want to be academicians. I welcome you all on my channel with #positivity #victory #nomorefear #knowledgetograb.😊 Isaimurasu FM M Mohamed Askar Isaimurasu FM is an lnternet radio started in the name of E.M Nagore Hanifa the great forerunner.Isaimurasu FM broadcasting continuously presenting programs on all platforms such as education, medicine,socio-economics, art, culture, culture and literature for the betterment of the society.Religious sermon is broadcast daily at 7 p.mYou can listen to the sermons of the best religious scholars and Imams famous in Tamil Nadu and Sri Lanka.It regularly broadcasts Islamic community oriented programs, Tamil literary programs, popular lectures and self-employment programmes. Lit & Liquor Lit & Liquor On a rainy day after losing at pub trivia for the 874th time (we still know you cheated, Cave Dwellers), three friends with a mutual love for literature and liquor decided to quit while they were behind and start a podcast instead.Welcome to Lit & Liquor, where the only pretentious thing is our profile picture. We love our books and we love our booze and see no reason not to enjoy them together, recording for y'all's enjoyment.We cover every book genre there is, from our romance novel face off's to book-to-movie adaption to nonfiction to fantasy to classics. We pair these with wine, beer, craft cocktails, and shots, doing all the dangerous tasting work so you don't have to suffer yourself. We hope to impart laughs, tasty drinks, horrible drinks (we all have revenge to serve...), and perhaps a little bit of wisdom. Join us bi-weekly for new episodes, and if you enjoy us--or don't--please leave us a review. Backwater (Pilgrimage, Vol. 2) by Dorothy Richardson Loyal Books "Backwater" is the second volume of "Pilgrimage," a series of thirteen autobiographical novels by Dorothy Richardson considered to have pioneered the "stream of consciousness" technique of writing. In a review of the first volume in the series, "Pointed Roofs" (The Egoist April 1918), May Sinclair first applied the term "stream of consciousness" in her discussion of Richardson's stylistic innovations. Richardson, however, preferred the term "interior monologue." Miriam Henderson, the central character in Pilgrimage, is based on the author's own life between 1891 and 1915. Richardson is also important as a feminist writer because of the way her work assumes the validity and importance of female experiences as a subject for literature. Her wariness of the conventions of language, her bending of the normal rules of punctuation, sentence length, and so on, are used to create a feminine prose, which Richardson saw as necessary for the expression of female experience. Virginia Woolf in 1923
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