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#368: Curtis Herbert (part 2)

An episode of the Release Notes podcast, hosted by Charles Perry and Joe Cieplinski, titled "#368: Curtis Herbert (part 2)" was published on June 1, 2020 and runs 30 minutes.

June 1, 2020 ·30m · Release Notes

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Today we continue our conversation with Curtis Herbert about his iOS app Slopes and his work to bring it to Android. Curtis talks to us today about his experience hiring a developer for the first time, his attitude towards managing risk in his business, and why he doesn’t think learning Android development and writing the app himself is not the right answer for him.

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Sponsor

Today’s episode is sponsored by Tuparev Technologies. For 20 years Tuparev Technologies has helped their clients, large and small, to design, develop, deploy, and maintain their apps and client-server solutions for all Apple platforms and the web. Their App Care program can keep your App in good health and your customers satisfied by keeping your app functioning and provide small but rapid enhancements in line with new functionality provided by OS releases. Tuparev Technologies also has an Accessible Apps initiative that can make your app accessible and localized. Learn more about how Tuparev Technologies can help maintain and improve your app’s health at tuparev.com.

Program Notes: The Band Director Podcast John M. Denis So, you’re finishing school or you’ve signed a contract. While other new band directors are just trying to survive that first year, what can you do to thrive? Each episode will give you direct, usable information based on actual experiences relevant to your needs as a future or beginning band director. So grab your earbuds or turn up the car stereo, and let me give you some great program notes for success. Episodes release on either the 2nd or 4th Thursdays of each month (sometimes both). Show Me Where They Touched You Skatenigs Volume One of Skatenigs Classics!Liner Notes:Chemical imbalance- The first Skatenigs track to be recorded. We recorded live at Trax studio in Chicago under the direction of Al Jourgensen. Lorri Jackson wrote the prologue and performed it the next day. Al worked his magic. Jim and Danny at Wax Trax records loved it and the rest is history.Shit Authority- This was the first track the band had ever written. It started with a 2 Live Crew beat, a punk riff and a general disdain for authority.Horny for Evil- Al and I had joked around during Beers, Steers and Queers session about writing a song about how many lives are murdered with each ejaculation and there you have it. The phone call intro was Phildo calling from studio B to studio A at Trax studio. Critter took the call and recorded it. By the way, stupid people really shouldn’t breed.Passion for Destruction- One of the first songs written for the sophomore release What a Mangled Web We Leave. Inspired by the band mascot, a pit bull Letters of Oscar Wilde, Volume 3 (1895-1897) by Oscar Wilde (1854 - 1900) ciesse This third collection of the correspondence of Oscar Wilde includes the letters Wilde wrote from prison. It begins with notes of thanks to the friends who stood by him after his arrest, and ends with discussions of his plans for after his release. De Profundis, the long letter Wilde wrote to his lover, Lord Alfred Douglas, is represented by the expurgated 1913 edition as well as suppressed portions that were later published elsewhere. The letters are sourced from auction catalogues, biographies, and other texts in the public domain. For a complete collection of Wilde's letters, please see "The Complete Letters of Oscar Wilde," (2000) edited by Merlin Holland and Rupert Hart-Davis. - Summary by Rob Marland Notes On A Journey Notes On A Journey „Discovering and rediscovering music“ is NOAJ's slogan and by this credo productions and recordings (records, cassettes, never before released master tapes) from days gone by shall and will find its audience. NOAJ tells the tale of mis-launched careers, failed dreams, gutted hopes, criminally overlooked masterpieces and of music that has been probably way too ahead of its time.
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