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#373: It’s Worth More than Nothin’

An episode of the Release Notes podcast, hosted by Charles Perry and Joe Cieplinski, titled "#373: It’s Worth More than Nothin’" was published on July 6, 2020 and runs 31 minutes.

July 6, 2020 ·31m · Release Notes

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Today we continue our conversation about WWDC 2020, focusing on how the announcements have affected Joe’s plans. We talk about sleep tracking in RECaf, plans for a Mac app, and X2Y lives for another year!

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Sponsor

Today’s episode is sponsored by Appfigures. Appfigures has always been great at getting all your stats from the App Store, but recently they’ve been diving deep into App Store optimization. Because they have access to so much more of the App Store’s daily statistics than anyone else, they are able to present a much more detailed picture of how your competitors are doing, and how they are winning the app store optimization wars. Armed with that data, you can fight back with some relatively simple maneuvers that can improve your rankings in specific search terms and thus increase your downloads. So if it’s been a while since you’ve thought about Appfigures, go to their blog and check out their excellent series of posts about app store optimization.

And if you like what you read on their website, Appfigures has another special offer just for Release Notes listeners. Sign up for Appfigures services and get 30% off the regular price for the next three months using the code releasenotes33, or just sign up using this link to have the discount automatically applied.

Program Notes: The Band Director Podcast John M. Denis So, you’re finishing school or you’ve signed a contract. While other new band directors are just trying to survive that first year, what can you do to thrive? Each episode will give you direct, usable information based on actual experiences relevant to your needs as a future or beginning band director. So grab your earbuds or turn up the car stereo, and let me give you some great program notes for success. Episodes release on either the 2nd or 4th Thursdays of each month (sometimes both). Show Me Where They Touched You Skatenigs Volume One of Skatenigs Classics!Liner Notes:Chemical imbalance- The first Skatenigs track to be recorded. We recorded live at Trax studio in Chicago under the direction of Al Jourgensen. Lorri Jackson wrote the prologue and performed it the next day. Al worked his magic. Jim and Danny at Wax Trax records loved it and the rest is history.Shit Authority- This was the first track the band had ever written. It started with a 2 Live Crew beat, a punk riff and a general disdain for authority.Horny for Evil- Al and I had joked around during Beers, Steers and Queers session about writing a song about how many lives are murdered with each ejaculation and there you have it. The phone call intro was Phildo calling from studio B to studio A at Trax studio. Critter took the call and recorded it. By the way, stupid people really shouldn’t breed.Passion for Destruction- One of the first songs written for the sophomore release What a Mangled Web We Leave. Inspired by the band mascot, a pit bull Letters of Oscar Wilde, Volume 3 (1895-1897) by Oscar Wilde (1854 - 1900) ciesse This third collection of the correspondence of Oscar Wilde includes the letters Wilde wrote from prison. It begins with notes of thanks to the friends who stood by him after his arrest, and ends with discussions of his plans for after his release. De Profundis, the long letter Wilde wrote to his lover, Lord Alfred Douglas, is represented by the expurgated 1913 edition as well as suppressed portions that were later published elsewhere. The letters are sourced from auction catalogues, biographies, and other texts in the public domain. For a complete collection of Wilde's letters, please see "The Complete Letters of Oscar Wilde," (2000) edited by Merlin Holland and Rupert Hart-Davis. - Summary by Rob Marland Notes On A Journey Notes On A Journey „Discovering and rediscovering music“ is NOAJ's slogan and by this credo productions and recordings (records, cassettes, never before released master tapes) from days gone by shall and will find its audience. NOAJ tells the tale of mis-launched careers, failed dreams, gutted hopes, criminally overlooked masterpieces and of music that has been probably way too ahead of its time.
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