5. Women in Theatre - A Very British Patriarchy episode artwork

EPISODE · Dec 11, 2023 · 36 MIN

5. Women in Theatre - A Very British Patriarchy

from Activism in the 80s · host Ardent Theatre Company

Go to a typical UK theatre show, and for every 10 people in the audience, seven will be women. This isn't new. Surveys in the 1980s showed that at least half of theatre audiences were women at that time. But inside the theatre industry, women faced a glass ceiling made of stone. "One of the key stereotypes about women directors was that women were okay on the small scale. But large scale plays like Pravda, that sort of meaty work couldn't be done by women."Much like today, the most important and prestigious jobs in theatre were held by not by women, but by men."Somebody on the board said there are too many ladies around here and not enough meat. It wasn't a pleasant environment to work in."And for women writers, producers, directors and actors, pursuing a theatre career meant a constant fight against deeply entrenched sexist prejudice and stereotyping."Their stance was 'we employ the best'. And when you try to examine what 'the best' was, it was them. So it was a circular argument."Director Sue Dunderdale hosts this exploration of the challenges faced by women in theatre with historian and dramaturg Dr. Susan Croft and producer Gill Lloyd MBE. Introduced by Ardent Theatre Company Creative Director Andrew Muir.In this Episode:1:16 - Running an all-women theatre organisation4:26 - Key practitioners and venues7:27 - Dealing with entrenched sexism8:30 - The Standing Conference of Women Theatre Directors and Administrators13:22 - Intersection with anti-apartheid and the miners' strike19:11 - The lack of women in leadership positions28:00 - Increasing visibility of women in theatre by the end of the 80sActivism in the 80s is a Creative Kin production for Ardent Theatre Company.Executive Producer & Producer: Jason CaffreyProduction music: Ellie ParkerMixing and Mastering: Adam DoubleThis production has been supported by the National Lottery Heritage Fund. Thanks to National Lottery players.Links:https://www.ardenttheatre.co.uk/strike-abouthttps://www.creativekin.co.uk/https://www.heritagefund.org.uk/http://www.suedunderdale.com/https://www.unfinishedhistories.com/about/who-we-are/susan-croft/https://www.unfinishedhistories.com/http://www.unlimitedglobalalchemy.com/gill-lloydhttps://www.peopleshow.co.uk/https://www.linkedin.com/in/jason-caffrey/https://www.ardenttheatre.co.uk/andrew-muirhttp://www.adamdouble.com/abouthttps://www.linkedin.com/in/ellie-parker-9ba9aa195/Remember to share, subscribe and leave a five-star review!

Go to a typical UK theatre show, and for every 10 people in the audience, seven will be women. This isn't new. Surveys in the 1980s showed that at least half of theatre audiences were women at that time. But inside the theatre industry, women faced a glass ceiling made of stone. "One of the key stereotypes about women directors was that women were okay on the small scale. But large scale plays like Pravda, that sort of meaty work couldn't be done by women." Much like today, the most important and prestigious jobs in theatre were held by not by women, but by men. "Somebody on the board said there are too many ladies around here and not enough meat. It wasn't a pleasant environment to work in." And for women writers, producers, directors and actors, pursuing a theatre career meant a constant fight against deeply entrenched sexist prejudice and stereotyping. "Their stance was 'we employ the best'. And when you try to examine what 'the best' was, it was them. So it was a circular argument." Director Sue Dunderdale hosts this exploration of the challenges faced by women in theatre with historian and dramaturg Dr. Susan Croft and producer Gill Lloyd MBE. Introduced by Ardent Theatre Creative Director Andrew Muir. In this Episode: 1:16 - Running an all-women theatre organisation 4:26 - Key practitioners and venues 7:27 - Dealing with entrenched sexism 8:30 - The Standing Conference of Women Theatre Directors and Administrators 13:22 - Intersection with anti-apartheid and the miners' strike 19:11 - The lack of women in leadership positions 28:00 - Increasing visibility of women in theatre by the end of the 80s Activism in the 80s is a Creative Kin production for Ardent Theatre. Executive Producer & Producer: Jason Caffrey Production music: Ellie Parker Mixing and Mastering: Adam Double This production has been supported by the National Lottery Heritage Fund. Thanks to National Lottery players. Links: https://www.ardenttheatre.co.uk/strike-about https://www.creativekin.co.uk/ https://www.heritagefund.org.uk/ http://www.suedunderdale.com/ https://www.unfinishedhistories.com/about/who-we-are/susan-croft/ https://www.unfinishedhistories.com/ http://www.unlimitedglobalalchemy.com/gill-lloyd https://www.peopleshow.co.uk/ https://www.linkedin.com/in/jason-caffrey/ https://www.ardenttheatre.co.uk/andrew-muir http://www.adamdouble.com/about https://www.linkedin.com/in/ellie-parker-9ba9aa195/ Remember to share, subscribe and leave a five-star review!

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5. Women in Theatre - A Very British Patriarchy

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Go to a typical UK theatre show, and for every 10 people in the audience, seven will be women. This isn't new. Surveys in the 1980s showed that at least half of theatre audiences were women at that time. But inside the theatre industry, women faced...

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