6: All The Right Moves

Episode 5 of the The Last Star In Hollywood podcast, hosted by Next Word, titled "6: All The Right Moves" was published on November 8, 2023 and runs 84 minutes.

November 8, 2023 ·84m · The Last Star In Hollywood

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Summary

This week, we have clear eyes, full hearts and we can’t lose as we discuss Michael Chapman’s 1983 football drama All The Right Moves. Is this quiet film of small-town desperation maybe too quiet? Is football the perfect metaphor for American life? Was Craig T. Nelson born to be a coach? Content Warnings: sexual assault, racist language Unanswered Questions: Stef is a fairly inactive protagonist. What are the right moves, and how many of them does he make? Is Lisa’s unresolved story careless screenwriting, or an intentional commentary on the hopelessness of young women in these circumstances? Does the film work as well if Stef and Lisa don’t have sex on the night of the last game of the season? Further reading: Films About American Football Films About Animals Playing Sports (Wikipedia) Doc Hollywood Lea Thompson on Dancing With The Stars How Guys Vs. Girls Take Off Their Shirts The Last Star In Hollywood Definitive List Of Tom Cruise Films The Last Star In Hollywood: Production Schedule Thanks for listening! For bonus shows, extra content and more, support The Last Star In Hollywood on Patreon.com/LastStarPod! Join us next time as we discuss the first film in which Tom Cruise doesn’t play a high-schooler: Ridley Scott’s 1985 fairy tale Legend. The Last Star In Hollywood is an independent podcast produced by Elizabeth Rae and Alastair Stephens. Copyright © 2023 The Last Star In Hollywood. All Rights Reserved. ★ Support this podcast on Patreon ★

Episode Description

This week, we have clear eyes, full hearts and we can’t lose as we discuss Michael Chapman’s 1983 football drama All The Right Moves. Is this quiet film of small-town desperation maybe too quiet? Is football the perfect metaphor for American life? Was Craig T. Nelson born to be a coach?

Content Warnings: sexual assault, racist language

Unanswered Questions:

Stef is a fairly inactive protagonist. What are the right moves, and how many of them does he make?
Is Lisa’s unresolved story careless screenwriting, or an intentional commentary on the hopelessness of young women in these circumstances?
Does the film work as well if Stef and Lisa don’t have sex on the night of the last game of the season?