EPISODE · Jan 12, 2016 · 1 MIN
9. Claude Monet, "The Point of la Hève at Low Tide," 1865
from Daubigny, Monet, Van Gogh · host Taft Museum of Art
At the Salon of 1864, Monet saw Daubigny’s "Cliffs at Villerville" and must have appreciated the way it captured the ever-changing light and weather at the seashore. Soon Monet created his own large picture of another stretch of beach and cliffs in Normandy, and exhibited it at the following year’s Salon, as if in dialogue with Daubigny.
What this episode covers
At the Salon of 1864, Monet saw Daubigny’s "Cliffs at Villerville" and must have appreciated the way it captured the ever-changing light and weather at the seashore. Soon Monet created his own large picture of another stretch of beach and cliffs in Normandy, and exhibited it at the following year’s Salon, as if in dialogue with Daubigny.
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9. Claude Monet, "The Point of la Hève at Low Tide," 1865
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