Ars canendi - Malos y perversos: Barnaba y Alvise Badoero de La Gioconda de Ponchielli - 31/05/26

Estudiamos, describimos y analizamos las psicologías y cataduras de dos malos de recibo. Escuchamos el aria O Monumento del primer acto por Leonard Warren, la canción de los pescadores del segundo por Paolo Silveri. Este mantiene a continuación el dúo final de la ópera con Gioconda, aquí María Callas. Enseguida Cesare Siepi nos canta el aria de Alvise y después Giulio Neri y Fedora Barbieri se unen para el malévolo diálogo en el que él la amenaza con la muerte (por su infidelidad). El colofón viene dado por el imponente concertante del final del tercer acto de la ópera en una representación berlinesa de 1974 dirigida por Giuseppe Patané.Foto de Leonard Warren.Escuchar audio

What this episode covers

Estudiamos, describimos y analizamos las psicologías y cataduras de dos malos de recibo. Escuchamos el aria O Monumento del primer acto por Leonard Warren, la canción de los pescadores del segundo por Paolo Silveri. Este mantiene a continuación el dúo final de la ópera con Gioconda, aquí María Callas. Enseguida Cesare Siepi nos canta el aria de Alvise y después Giulio Neri y Fedora Barbieri se unen para el malévolo diálogo en el que él la amenaza con la muerte (por su infidelidad). El colofón viene dado por el imponente concertante del final del tercer acto de la ópera en una representación berlinesa de 1974 dirigida por Giuseppe Patané.Foto de Leonard Warren.

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