Autumn colours the tattered garments of summer

Send us Fan MailThe colours of autumn this year promise to be spectacular and the towpaths are being transformed by the brush of autumn’s artistry. Join us tonight as we drink in some of the sights and ponder why this season can evoke such a mixture of emotions within us.  Journal entry: 11th October, Tuesday“A wash of gold afternoon light That fresh clean scent of damp earth And falling waterThe sluices are full and running, Laced with curtains of pearl and crystal.A yearling ewe, with her forelegs Knee deep in the water. A heron, a couple of feet away, A statue centre stream, watches her.Their eyes meet and for a moment, The world pauses. Face to face Eye to eye.They drop their gaze and the world Is once more filled with the sound Of falling water.”    Episode Information:In this episode I read a very short extract from the early 17th century English printed volume by Nicholas Breton of the 15th century The Kalendar of Shepherds: Being devices for the twelve months.You can read a digitised reproduction of this book, with its wonderful woodcut engravings, in the Welcome Library: The Kalendar of Shepherds: Being devices for the twelve months.I also refer to Jacque’s monologue, ‘All the world’s a stage’ from Shakespeare’s As You Like It  (Act II Scene VII). For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. It will also allow you to become more a part of the podcast and you can leave comments, offer suggestions, and reviews. You can even, if you want, leave me a voice mail by clicking on the microphone icon. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River Weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano and keyboard interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at [email protected] or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message using the voicemail facility by clicking on the microphone icon. Support the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFacebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Bluesky: https://bsky.app/profile/noswpod.bsky.social Mastodon: https://mastodon.world/@nosw  I would love to hear from you. You can email me at [email protected] or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com.