Bartees Strange episode artwork

EPISODE · Nov 4, 2022 · 31 MIN

Bartees Strange

from LSQ · host Jenny Eliscu

Bartees Strange reflects on important moments during his musical development, including: Learning to sing alongside his opera and gospel singer mother, who brought him to most of her performances as a child, until eventually he was singing alongside her. “There's something magical being a child in an opera Hall, hearing sound without microphones, bouncing off of the wood, bouncing off of the space, and then looking up on stage and seeing like a 5’2” black woman who's your mom just fill it. And it's like, ‘I know not everybody's moms do this.’” Seeing the hardcore band Norma Jean in a church basement when he was in middle school, and realizing that music — especially live music — has the power to make an entire room full of people feel an energetic connection. “I was like, ‘Oh, this is just a music thing. Like, this is just what happens when music works, regardless of a classical space, hardcore space, or like a gospel space, like music can just do this. And I was just like, ‘how do I wield this magical power?’” Moving to New York after a stint working in politics in Washington, D.C., and finding inspiration in the music scene he plugged into there. “I grew up in a very rural area of Oklahoma and dealt with a lot of racism and questions about who I was and who I was allowed to be, and I don’t think I was fully comfortable in my body until I moved to New York City and I started meeting all these artists — like are you familiar with the band L’Rain, Taja Cheek’s band, and Kia and Melanie Charles? These black artists in Brooklyn who I honestly fell in love with and was so inspired by, because I always felt so alone and singular. My whole life, I was the only black kid. And in my musical space, I was often the only black person. And when I was making records, I was often the only black person in the studio, and people didn’t listen to me, they didn’t think I knew what I was talking about. I was struggling with even trusting my gut on knowing if I knew what I was talking about. I had listened to the gaslighting so much that I don’t think I even knew who I was until I saw those artists and I was able to connect with them on a level where I was like, ‘Oh I’m like you. I’m not weird. Actually this is what *we* do.’ And being around them it kind of created the space for me to spread my wings and try some stuff and feel comfortable sharing music with people who understood my experience and where I was coming from, and then once that happened, I was kind of able to lay it all out.” How his goals have evolved between his 2020 debut album, Live Forever, and his recently released sophomore LP, Farm To Table. “Honestly, I wanted to kind of show people it wasn't a fluke, like, I could do it again. And that was also why I put it out so fast. I was like, ‘I’m not letting three years pass before I drop another one. Because I don't want people to think ‘Oh, like, that was cute,’ I want them to be like, ‘Oh, Bartees, this dude is a pretty serious cat. He’s gonna stick around.’” What he has planned for his first major headlining tour in North America, and why you have to see openers Pom Pom Squad, They Hate Change and Spring Silver. The tour is on the road until 12/19/22. Get tickets HERE.

Bartees Strange reflects on important moments during his musical development, including: Learning to sing alongside his opera and gospel singer mother, who brought him to most of her performances as a child, until eventually he was singing alongside her. “There's something magical being a child in an opera Hall, hearing sound without microphones, bouncing off of the wood, bouncing off of the space, and then looking up on stage and seeing like a 5’2” black woman who's your mom just fill it. And it's like, ‘I know not everybody's moms do this.’” Seeing the hardcore band Norma Jean in a church basement when he was in middle school, and realizing that music — especially live music — has the power to make an entire room full of people feel an energetic connection. “I was like, ‘Oh, this is just a music thing. Like, this is just what happens when music works, regardless of a classical space, hardcore space, or like a gospel space, like music can just do this. And I was just like, ‘how do I wield this magical power?’” Moving to New York after a stint working in politics in Washington, D.C., and finding inspiration in the music scene he plugged into there. “I grew up in a very rural area of Oklahoma and dealt with a lot of racism and questions about who I was and who I was allowed to be, and I don’t think I was fully comfortable in my body until I moved to New York City and I started meeting all these artists — like are you familiar with the band L’Rain, Taja Cheek’s band, and Kia and Melanie Charles? These black artists in Brooklyn who I honestly fell in love with and was so inspired by, because I always felt so alone and singular. My whole life, I was the only black kid. And in my musical space, I was often the only black person. And when I was making records, I was often the only black person in the studio, and people didn’t listen to me, they didn’t think I knew what I was talking about. I was struggling with even trusting my gut on knowing if I knew what I was talking about. I had listened to the gaslighting so much that I don’t think I even knew who I was until I saw those artists and I was able to connect with them on a level where I was like, ‘Oh I’m like you. I’m not weird. Actually this is what *we* do.’ And being around them it kind of created the space for me to spread my wings and try some stuff and feel comfortable sharing music with people who understood my experience and where I was coming from, and then once that happened, I was kind of able to lay it all out.” How his goals have evolved between his 2020 debut album, Live Forever, and his recently released sophomore LP, Farm To Table. “Honestly, I wanted to kind of show people it wasn't a fluke, like, I could do it again. And that was also why I put it out so fast. I was like, ‘I’m not letting three years pass before I drop another one. Because I don't want people to think ‘Oh, like, that was cute,’ I want them to be like, ‘Oh, Bartees, this dude is a pretty serious cat. He’s gonna stick around.’” What he has planned for his first major headlining tour in North America, and why you have to see openers Pom Pom Squad, They Hate Change and Spring Silver. The tour is on the road until 12/19/22. Get tickets HERE.

NOW PLAYING

Bartees Strange

0:00 31:59

No transcript for this episode yet

We transcribe on demand. Request one and we'll notify you when it's ready — usually under 10 minutes.

LSQ Podcast Redeemer Lincoln Square Our church began in 2017 and is located just down the street from Lincoln Center, which is in the Lincoln Square neighborhood of Manhattan. This podcast will primarily feature sermons from our Sunday worship service and the occasional interview or ministry resource. We hope you’ll subscribe. Scenes in the Square Discover LSQ Join film fanatic and movie premiere host, Alex Zane, as he takes you on an entertaining, informative, and immersive tour of Leicester Square’s latest attraction “Scenes in the Square.” This audio guide will take you on a step by step tour of each incredible statue. Share your selfie snaps with each character using #DiscoverLSQ. Sourdes et courageuses Canal M, la voix de l'inclusion Sourdes et courageuses, c’est une émission sur les femmes sourdes et malentendantes, présentée en collaboration avec la Maison des femmes sourdes de Montréal. Elle donne la parole à ces femmes trop absentes sur la place publique, qu’on ne voit et n’entend pas assez.L’animatrice, Julie Châtelain, elle-même malvoyante, est fortement engagée dans l’univers des personnes en situation de handicap, notamment comme membre du Conseil d’administration de la Maison des femmes sourdes de Montréal.L’émission est également enregistrée en vidéo avec un interprète en langue des signes LSQ. Elle est disponible sur notre site web et notre chaîne YouTube. CAPABLE Capable Média Animé par Kim Auclair, Capable, entreprendre sans limites (https://capable.media/serie/) prouve que le handicap - visible ou invisible - n’est pas un frein à la créativité, à l’entrepreneuriat ni à l’innovation. Chaque saison de 10 épisodes met de l’avant des personnes en situation de handicap qui ont créé leurs propres opportunités. Leurs récits combinent débrouillardise, conseils pratiques et inspiration. Ils visent à bâtir des milieux de travail plus inclusifs… et à donner envie à d’autres d’entreprendre à leur façon. Plus qu’une série, c’est un véritable moteur d’entrepreneuriat inclusif. Accessible à toutes et tous, le contenu est traduit en langue des signes québécoise (LSQ), sous-titré et accompagné d’une transcription textuelle.La saison 1 a été produite par l’Office des personnes handicapées du Québec, marquant le point de départ de cette série aujourd’hui poursuivie de façon indépendante.   Hébergé par Ausha. Visitez ausha.co/fr/politique-de-confidentialite pour plus d'inf

Frequently Asked Questions

How long is this episode of LSQ?

This episode is 31 minutes long.

When was this LSQ episode published?

This episode was published on November 4, 2022.

What is this episode about?

Bartees Strange reflects on important moments during his musical development, including: Learning to sing alongside his opera and gospel singer mother, who brought him to most of her performances as a child, until eventually he was singing...

Can I download this LSQ episode?

Yes, you can download this episode by clicking the download button on the episode player, or subscribe to the podcast in your preferred podcast app for automatic downloads.
URL copied to clipboard!