Blindspotting & Widows
Blindspotting deftly mixes realism with theatricality to portray the struggles of being black in the city, while Widows features a multi-ethnic group of women planning a big heist. In a year when racially conscious American films grabbed the spotlight, two that have got a lot of attention (well-deserved) were Boots Riley’s Sorry to Bother You and Spike Lee’s BlacKkKlansman. But there was another that deserved more credit, and that I liked even better. It’s called Blindspotting, directed by Carlos López Estrada—it had a fairly good run in theaters this summer, and now it’s streaming and on DVD. In my case…
An episode of the Flicks with The Film Snob podcast, hosted by Chris Dashiell, titled "Blindspotting & Widows" was published on December 17, 2018 and runs 4 minutes.
December 17, 2018 ·4m · Flicks with The Film Snob
Summary
Blindspotting deftly mixes realism with theatricality to portray the struggles of being black in the city, while Widows features a multi-ethnic group of women planning a big heist. In a year when racially conscious American films grabbed the spotlight, two that have got a lot of attention (well-deserved) were Boots Riley’s Sorry to Bother You and Spike Lee’s BlacKkKlansman. But there was another that deserved more credit, and that I liked even better. It’s called Blindspotting, directed by Carlos López Estrada—it had a fairly good run in theaters this summer, and now it’s streaming and on DVD. In my case…