EPISODE · May 21, 2026 · 39 MIN
Bonus: Benoît André (Extended Edit) - Exploring community in flooded areas using electro-acoustic composition
from The Roey Grad Podcast · host Roehampton Graduate School
A longer version of Charles, Aaliyah, and Will conversation with Benoît André, PhD student in Roehampton’s School of Arts. Benoît is a composer and sound-designer, researching flooding in Gloucestershire and West London, through the medium of sound. Specifically, electro-acoustic composition - less music than sonic art. This episode is a chance to feature, in full, Benoît’s piece Skein #7, only showcased as an excerpt in the original episode. We discuss this little-known art form, what it brings to an eco-sociological thesis, the impact of flooding on communities (which is not solely negative), and why, in these circumstances, it pays to have your mum own one of the few SUVs in the village. Find more of Benoît’s work at https://www.benoitandre.co.uk/electro-acoustic Chapters 00:09 Introductions 00:57 Studying flooding through sound? 02:08 Electroacoustic composition 04:27 What does a thesis in Electroacoustic music look like? 07:16 An excerpt from Skein #7 (HEADPHONES RECOMMENDED!) 09:18 The Electroacoustic ‘scene’ (such as it is) 12:57 Skein #7 – in full! 18:20 Benoît’s other work, his background 20:39 What does data collection look like in such a project? 24:05 Implications for governance 26:03 Unexpected positives of flooding 28:35 Flooding and community impact 35:08 Wrap-up, and Benoît’s Forest Frivolity The Roey Grad Podcast is a presentation of the University of Roehampton’s Graduate School. Our theme music is by DiamondTunes Our hosts are two PhD students at Roehampton, Charles Miller and Will Berard, who also edits and mixes the podcast. It was produced by Aaliyah Hassan. Comments, questions, want to appear on the show? Get in touch at [email protected]
What this episode covers
A longer version of Charles, Aaliyah, and Will conversation with Benoît André, PhD student in Roehampton’s School of Arts. Benoît is a composer and sound-designer, researching flooding in Gloucestershire and West London, through the medium of sound. Specifically, electro-acoustic composition - less music than sonic art. This episode is a chance to feature, in full, Benoît’s piece Skein #7, only showcased as an excerpt in the original episode. We discuss this little-known art form, what it brings to an eco-sociological thesis, the impact of flooding on communities (which is not solely negative), and why, in these circumstances, it pays to have your mum own one of the few SUVs in the village. Find more of Benoît’s work at https://www.benoitandre.co.uk/electro-acoustic Chapters 00:09 Introductions 00:57 Studying flooding through sound? 02:08 Electroacoustic composition 04:27 What does a thesis in Electroacoustic music look like? 07:16 An excerpt from Skein #7 (HEADPHONES RECOMMENDED!) 09:18 The Electroacoustic ‘scene’ (such as it is) 12:57 Skein #7 – in full! 18:20 Benoît’s other work, his background 20:39 What does data collection look like in such a project? 24:05 Implications for governance 26:03 Unexpected positives of flooding 28:35 Flooding and community impact 35:08 Wrap-up, and Benoît’s Forest Frivolity The Roey Grad Podcast is a presentation of the University of Roehampton’s Graduate School. Our theme music is by DiamondTunes Our hosts are two PhD students at Roehampton, Charles Miller and Will Berard, who also edits and mixes the podcast. It was produced by Aaliyah Hassan. Comments, questions, want to appear on the show? Get in touch at [email protected]
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Bonus: Benoît André (Extended Edit) - Exploring community in flooded areas using electro-acoustic composition
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