EPISODE · Sep 4, 2020 · 26 MIN
Bringing the Theater Back to Life
from The Daily · host The New York Times
Three months into Broadway’s shutdown because of the coronavirus pandemic, Michael Paulson, a theater reporter for The New York Times, got a call from a theater in western Massachusetts — they planned to put on “Godspell,” a well-loved and much-performed musical from 1971, in the summer.Today, we explore how, in the face of huge complications and potentially crushing risks, a regional production attempted to bring theater back to life.Guest: Michael Paulson, a theater reporter for The Times. For more information on today’s episode, visit nytimes.com/thedaily Background reading: Masks, partitions and a contactless crucifixion — the Berkshire Theater Group’s production of Godspell, labeled one of the “huggiest musicals ever created,” is also a kind of public health experiment. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
What this episode covers
Three months into Broadway’s shutdown because of the coronavirus pandemic, Michael Paulson, a theater reporter for The New York Times, got a call from a theater in western Massachusetts — they planned to put on “Godspell,” a well-loved and much-performed musical from 1971, in the summer. Today, we explore how, in the face of huge complications and potentially crushing risks, a regional production attempted to bring theater back to life. Guest: Michael Paulson, a theater reporter for The Times. For more information on today’s episode, visit nytimes.com/thedaily Background reading: Masks, partitions and a contactless crucifixion — the Berkshire Theater Group’s production of Godspell, labeled one of the “huggiest musicals ever created,” is also a kind of public health experiment.
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Bringing the Theater Back to Life
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