Call of Wild Geese episode artwork

EPISODE · Sep 26, 2021 · 32 MIN

Call of Wild Geese

from Nighttime on Still Waters · host Richard Goode

Send us Fan MailThese are the mornings of mist that ring with the call of geese. What is it about catching sight of the flight of geese and hearing their wind-borne calls that evokes such  feelings restless longing and yearning within us? And yearning for what? We listen to the words of Wendell Berry, BB, David Whyte and Mary Oliver to find ways to capture those powerful emotions. Journal entry:“24th September, FridayA tangle of Victorian girders Russet brown; a lacy filigree  of metal, rivets, and musty glass. Anti-pigeon spikes Repel the reality in which we live. Willowherb smoke, rusty sidings, Bramble fountains – barbed and irrepressible. The sharp-edged wings of a gull, Outstretched, cruciform, alive. And my spirit rises with it,  Soaring into the sunlight above the grime-streaked glass.”              Episode InformationIn this episode I discuss some of the ‘Little Grey Men’ books of the author BB (Denys Watkins-Pitchford). They are:BB (1942) Little Grey Men reissued (2012) by Oxford University Press. BB (1948) Down the Bright Stream (later published as The Little Grey Men go Down the Bright Stream) also reissued (2001) by Oxford University Press. Wendell Berry’s poem ‘Listen!’ can be found in his (2018) volume, The Peace of Wild Things published by Penguin Books. David Whyte’s poem ‘The Journey’ has a number of publications but can be read in his (2018) David Whyte: Essentials published by Many Rivers Press. You can watch him talk about it and recite it here: The Journey. The two poems by Mary Oliver ‘Snow Geese’ and ‘Wild Geese’ are collected in her (2004) Wild Geese: Selected poems. Published by Blood Axe. General DetailsIn the intro and the outro, Saint-Saen's The Swan is performed by Karr and Bernstein (1961) and available on CC at archive.org. Two-stroke narrowboat engine recorded by 'James2nd' on the River weaver, Cheshire. Uploaded to Freesound.org on 23rd June 2018. Creative Commons Licence. Piano interludes composed and performed by Helen Ingram.All other audio recorded on site. ContactFor pictures of Erica and images related to the podcasts or to contact me, follow me on:Facebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Twitter: https://twitter.com/NoswPodI would love to hear from you. You can email me at [email protected] the showBecome a 'Lock-Wheeler'Would you like to support this podcast by becoming a 'lock-wheeler' for Nighttime on Still Waters? Find out more: 'Lock-wheeling' for Nighttime on Still Waters.ContactFacebook at https://www.facebook.com/noswpodInstagram: https://www.instagram.com/nighttimeonstillwaters/Bluesky: https://bsky.app/profile/noswpod.bsky.socialMastodon: https://mastodon.world/@nosw  I would love to hear from you. You can email me at [email protected] or drop me a line by going to the nowspod website and using either the contact form or, if you prefer, record your message by clicking on the microphone icon. For more information about Nighttime on Still WatersYou can find more information and photographs about the podcasts and life aboard the Erica on our website at noswpod.com. 

Episode metadata supplied by the publisher feed · Published Sep 26, 2021

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Send us Fan Mail These are the mornings of mist that ring with the call of geese. What is it about catching sight of the flight of geese and hearing their wind-borne calls that evokes such feelings restless longing and yearning within us? And yearning for what? We listen to the words of Wendell Berry, BB, David Whyte and Mary Oliver to find ways to capture those powerful emotions. Journal entry: “24th September, Friday A tangle of Victorian girders Russet brown; a lacy filig...

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Call of Wild Geese

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