Chaos, Holy Fools & Don Quixote in Dostoevsky’s The Idiot with Prof. Michael Sexton episode artwork

EPISODE · Mar 6, 2026 · 48 MIN

Chaos, Holy Fools & Don Quixote in Dostoevsky’s The Idiot with Prof. Michael Sexton

from The Big Book Project · host Lori Feathers

https://substack.com/@thebigbookprojectDostoevsky’s The Idiot is too much—too many characters, too many plot points, too much chaos—and that’s exactly what makes it extraordinary. In this episode of The Big Book Project, host Lori Feathers sits down with Professor Michael Sexton, a devoted reader now on his fourth reading of the novel, to dig into Part Two, Chapters VII through XII.They talk about the riotous scene where a motley crew of young nihilists storms in to demand money from Prince Myshkin—a scene so over-the-top that Michael confesses he skipped it on previous readings but now finds it devastatingly funny. Lori and Michael explore how Dostoevsky parodies nihilistic thought through these characters and why the women in the room are furious at this attempt to humiliate the Prince and call the scene a madhouse.They linger on one of the novel’s most complex characters, Lizaveta Prokofyevna, who Michael sees growing into a great comic creation of Dostoevsky across his readings—a woman who ridicules the dying Ippolit for making speeches and then pulls him to her bosom in a moment of devastating maternal tenderness. The conversation turns to a foundational question of the novel: is Prince Myshkin best understood through the figure of Don Quixote or through the tradition of the holy fool? Michael brings in Miguel de Unamuno’s Our Lord Don Quixote and Nabokov’s Lectures on Don Quixote; Lori pushes back, arguing the Prince’s interiority and complexity exceed what Cervantes gave us.They also discuss Nastasya Filippovna’s shadowy, sinister presence lurking in the background, the theme of doubleness and duplicity as both a motif and a structural principle in Dostoevsky, and Chapter VII—a seemingly throwaway exchange between the Prince and Lizaveta that both Lori and Michael argue is indispensable, written in the style and spirit of Oscar Wilde’s The Importance of Being Earnest.Timestamps:00:00 Welcome & Introduction to This Week’s Reading01:14 Dostoevsky Is “Too Much”—And That’s the Point05:14 The Nihilists Storm In: Comedy and Chaos09:19 Lizaveta Prokofyevna: From Foolish Woman to Holy Fool15:07 The Prince’s Friends React—Insult and Dignity18:42 Chapter 12: Oscar Wilde Meets Dostoevsky22:08 Nastasya Filippovna’s Sinister Shadow25:58 Don Quixote, Christ, and Prince Myshkin36:50 Dostoevsky’s Christianity, Russian Nationalism, and Harold Bloom41:14 The Idiot as One Chapter of a Larger Novel42:30 Doubles, Duplicity, and Keller’s Confession45:43 Why Chapter 12 Is IndispensableSubscribe to The Big Book Project and join the group read of Dostoevsky’s The Idiot. New posts every Tuesday and Thursday on Substack. Follow along, leave your thoughts, and read along with Lori and the community.

Episode metadata supplied by the publisher feed · Published Mar 6, 2026

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https://substack.com/@thebigbookproject Dostoevsky’s The Idiot is too much—too many characters, too many plot points, too much chaos—and that’s exactly what makes it extraordinary. In this episode of The Big Book Project, host Lori Feathers sits down with Professor Michael Sexton, a devoted reader now on his fourth reading of the novel, to dig into Part Two, Chapters VII through XII. They talk about the riotous scene where a motley crew of young nihilists storms in to demand money from Prince...

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Chaos, Holy Fools & Don Quixote in Dostoevsky’s The Idiot with Prof. Michael Sexton

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