Director of Photography: Creating Images in a Studio episode artwork

EPISODE · Nov 28, 2025 · 19 MIN

Director of Photography: Creating Images in a Studio

from ANATOMY OF A SCENE

Anatomy of a Scene is a podcast where the people behind French film and TV walk us through their creative process.In this episode, we talked to Nicolas Bolduc about his work on The Count of Monte Cristo, and to Hichame Alaouié for The Bureau.In this discussion, we look at the craft of cinematography through the eyes of two directors of photography who have spent three decades shaping images across France and beyond.First, Nicolas Bolduc who takes us behind the scenes of Monte Cristo, sharing how a film largely shot on location still relied on carefully constructed studio moments, including the prison sequence, where light becomes both a constraint and a language. With him, we talk about what it means, in this job, to choose the light, to control it, and to let it tell the story.We also speak with Hichame Alaouié who reflects on the particular challenges of shooting long-form TV: collaborating with multiple directors and fellow DPs, adapting to their rhythms, and carrying a visual identity across episodes. He also tells us how The Bureau recreated the DGSE offices entirely in studio, an exercise in precision, architecture, and light.An episode about the unseen decisions behind what we see on screen: the spaces that are built, the light that is shaped, and the hands that guide it.-----Anatomy of a Scene is produced and hosted by Jeanne BoëzecMusic by Fanny MartinEditing and mixing by Fanny Martin and Jeanne DelplancqArtworks by Lisa CarpagnanoSpecial thanks to Nicolas Bolduc and Hichame Alaouié for their participationThis podcast is commissioned by UnifranceFollow @myfrenchstories on Instagram, Facebook, YouTube, Tik Tok and Threads to keep up with the latest news on French cinema and TV worldwide© 2025 UNIFRANCE – ALL RIGHTS RESERVED Hosted on Acast. See acast.com/privacy for more information.

Anatomy of a Scene is a podcast where the people behind French film and TV walk us through their creative process.In this episode, we talked to Nicolas Bolduc about his work on The Count of Monte Cristo, and to Hichame Alaouié for The Bureau.In this discussion, we look at the craft of cinematography through the eyes of two directors of photography who have spent three decades shaping images across France and beyond.First, Nicolas Bolduc who takes us behind the scenes of Monte Cristo, sharing how a film largely shot on location still relied on carefully constructed studio moments, including the prison sequence, where light becomes both a constraint and a language. With him, we talk about what it means, in this job, to choose the light, to control it, and to let it tell the story.We also speak with Hichame Alaouié who reflects on the particular challenges of shooting long-form TV: collaborating with multiple directors and fellow DPs, adapting to their rhythms, and carrying a visual identity across episodes. He also tells us how The Bureau recreated the DGSE offices entirely in studio, an exercise in precision, architecture, and light.An episode about the unseen decisions behind what we see on screen: the spaces that are built, the light that is shaped, and the hands that guide it.-----Anatomy of a Scene is produced and hosted by Jeanne BoëzecMusic by Fanny MartinEditing and mixing by Fanny Martin and Jeanne DelplancqArtworks by Lisa CarpagnanoSpecial thanks to Nicolas Bolduc and Hichame Alaouié for their participationThis podcast is commissioned by UnifranceFollow @myfrenchstories on Instagram, Facebook, YouTube, Tik Tok and Threads to keep up with the latest news on French cinema and TV worldwide© 2025 UNIFRANCE – ALL RIGHTS RESERVED Hosted on Acast. See acast.com/privacy for more information.

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Director of Photography: Creating Images in a Studio

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This episode was published on November 28, 2025.

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Anatomy of a Scene is a podcast where the people behind French film and TV walk us through their creative process.In this episode, we talked to Nicolas Bolduc about his work on The Count of Monte Cristo, and to Hichame Alaouié for The Bureau.In this...

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