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DRAMACHAT 1x02: Cinéfilas a más no poder

Episode 2 of the Generación Drama podcast, hosted by Generación Drama, titled "DRAMACHAT 1x02: Cinéfilas a más no poder" was published on October 24, 2021 and runs 29 minutes.

October 24, 2021 ·29m · Generación Drama

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En el segundo capítulo de nuestro podcast, hablamos de nuestro top 10 (que no son 10) de películas. En resumen: confundo a Ryan Reynolds con Ryan Gosling; Lidia cuenta su trauma con "Un puente hacia Terabithia" y hay amenazas de por medio para quien diga que Mamma Mia es una mierda. 

En el segundo capítulo de nuestro podcast, hablamos de nuestro top 10 (que no son 10) de películas. En resumen: confundo a Ryan Reynolds con Ryan Gosling; Lidia cuenta su trauma con "Un puente hacia Terabithia" y hay amenazas de por medio para quien diga que Mamma Mia es una mierda. 

La mujer que no UNAM Jorge Ibargüengoitia (Guanajuato, 1928 – Madrid, 1983) fue dramaturgo, narrador y ensayista. Estudió ingeniería, arte dramático y la maestría en Letras en la Facultad de Filosofía y Letras de la UNAM. Fue becado por la Fundación Rockefeller para estudiar teatro en Nueva York. Perteneciente a la Generación del Medio Siglo, en la que coincidió con escritores como Inés Arredondo, Vicente Leñero, Carlos Fuentes, Sergio Pitol, Rosario Castellanos, Rubén Bonifaz Nuño, entre otros. Colaboró en publicaciones como Excélsior, Revista de la Universidad de México, Revista Mexicana de Literatura, Siempre!, y Vuelta. Premio Ciudad de México de la VII Feria Mexicana del Libro en 1960 por su obra La conspiración vendida. Premio Casa de las Américas 1963 por la obra de teatro El atentado, y en 1964 por la novela Los relámpagos de agosto. Premio de Novela México 1975 por Estas ruinas que ves. Jorge Ibargüengoitia desarrolló su obra principalmente dentro de la dramaturgia y la novela, y aun cuando Drake and the Future of Music: AI, Copyright, and Authenticity Inception Point Ai Aubrey Drake Graham, known professionally as Drake, is a Canadian rapper, singer, songwriter, actor, and record executive. He is widely regarded as one of the most influential artists of his generation. Drake has won four Grammy Awards, a record six American Music Awards, and a record 23 Billboard Music Awards, among other accolades. Drake was born on October 24, 1986, in Toronto, Ontario. His father, Dennis Graham, is an African-American drummer who worked with Jerry Lee Lewis, and his mother, Sandi Sher, is a white Canadian Jewish educator. Drake's parents divorced when he was five years old, and he was raised by his mother in a working-class neighborhood in Toronto. Drake began acting at the age of ten, appearing in the Canadian teen drama series Degrassi: The Next Generation. He played the role of Jimmy Brooks, a popular basketball player who is paralyzed from the waist down after being shot by a classmate. Drake left Degrassi after eight seasons to pursue a career in music. The Sun Also Rises Ernest Hemingway The first and most successful in the Baroness's series of books that feature Percy Blakeney, who leads a double life as an English fop and a swashbuckling rescuer of aristocrats, The Scarlet Pimpernel was the blueprint for what became known as the masked-avenger genre. As Anne Perry writes in her Introduction, the novel "has almost reached its first centenary, and it is as vivid and appealing as ever because the plotting is perfect. It is a classic example of how to construct, pace, and conclude a plot. . . . To rise on the crest of laughter without capsizing, to survive being written, rewritten, and reinterpreted by each generation, is the mark of a plot that is timeless and universal, even though it happens to be set in England and France of 1792." The Beautiful and Damned F. Scott Fitzgerald F. Scott Fitzgerald's second novel, which brilliantly satirizes a doomed and glamorous marriage, anticipated the master stroke--The Great Gatsby--that would follow, and marks a key moment in the writer's career. Would-be Jazz Age aristocrats Anthony and Gloria Patch embody the corrupt high society of 1920s New York: they are beautiful, shallow, pleasure-seeking, and vain. As presumptive heirs to a large fortune, they begin their married life by living well beyond their means. Their days are marked by endless drinking, dancing, luxury, and play. But when the expected inheritance is withheld, their lives become consumed with the pursuit of wealth, and their alliance begins to fall apart. Inspired in part by Fitzgerald's own tumultuous union with his wife Zelda, hauntingly rendered and keenly observed, these characters evoke a vivid portrait of a lost world: a city steeped in vice, a society without direction, and the rootless and decadent generation that inhabited it.
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