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Edward Albee

Edward Albee with Edward Albee

An episode of the ATW - SDCF Masters of the Stage podcast, hosted by American Theatre Wing and SDCF, titled "Edward Albee" was published on October 1, 2009 and runs 99 minutes.

October 1, 2009 ·99m · ATW - SDCF Masters of the Stage

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Famed playwright Edward Albee sat for an interview with frequent collaborator Larry Sacharow before an audience of professional theatre artists and students at Fordham University in December of 2000. In a room composed predominately of professional and aspiring directors, Albee was quick to distinguish himself as a professional director. He recalled that his first inclination to become a director spawned from the process by which he writes for the stage. While developing his early plays, he began to understand that he had a good idea of what the play looked and sounded like in his mind, giving him the initial confidence to stage some early productions of his work. But, it was not until a self-directed production of "Zoo Story", which he called "the worst production" of his work that he'd ever seen, that it ever occurred to him that there was craft involved in being an effective director. For the remainder of this 90-minute discussion, Edward Albee explains his experience with this craft - approaching it as both a director and playwright. He outlines the circumstances under which a director and playwright should collaborate, maintaining that directors should never direct plays that they don't admire, and that playwrights must learn to become 'sub-textually flexible' in order to let actors be effective. He describes why he kept on directing and how developing as a director serviced his development as a playwright. And he explains the "schizophrenia" necessary to effectively act as director to his own work, recounting conversations with himself about problems in prior productions. Above all he asserts the importance of the director's ability to stay true to the intentions of the playwright, admitting that he always tells his casts "I want you to do whatever you want, as long as you end up with exactly what I intended."

Famed playwright Edward Albee sat for an interview with frequent collaborator Larry Sacharow before an audience of professional theatre artists and students at Fordham University in December of 2000. In a room composed predominately of professional and aspiring directors, Albee was quick to distinguish himself as a professional director. He recalled that his first inclination to become a director spawned from the process by which he writes for the stage. While developing his early plays, he began to understand that he had a good idea of what the play looked and sounded like in his mind, giving him the initial confidence to stage some early productions of his work. But, it was not until a self-directed production of "Zoo Story", which he called "the worst production" of his work that he'd ever seen, that it ever occurred to him that there was craft involved in being an effective director. For the remainder of this 90-minute discussion, Edward Albee explains his experience with this craft - approaching it as both a director and playwright. He outlines the circumstances under which a director and playwright should collaborate, maintaining that directors should never direct plays that they don't admire, and that playwrights must learn to become 'sub-textually flexible' in order to let actors be effective. He describes why he kept on directing and how developing as a director serviced his development as a playwright. And he explains the "schizophrenia" necessary to effectively act as director to his own work, recounting conversations with himself about problems in prior productions. Above all he asserts the importance of the director's ability to stay true to the intentions of the playwright, admitting that he always tells his casts "I want you to do whatever you want, as long as you end up with exactly what I intended."
ATW - Guide to Careers in the Theatre American Theatre Wing Created in partnership with the New York Public Library for the Performing Arts at Lincoln Center, the Guides to Careers in the Theatre are a series of one-on-one video interviews with the theatre's leading artists and professionals, explaining each specific discipline in the theatre and what it takes to pursue that specialty and make a career in the theatre. Created in 2000 and 2001, the guides are a component of ATW's commitment to educating and supporting young professionals as they enter the field. ATW - Downstage Center American Theatre Wing The American Theatre Wing presents Downstage Center a weekly theatrical interview show, featuring the top artists working in theatre, both on and Off-Broadway and around the country. ATW - This Is Broadway American Theatre Wing and Broadway League "This is Broadway" is a series of more than 70 short radio interviews created by The Broadway League, as an effort to promote Broadway theatre, some 32 years ago. The program consisted of weekly three-and-a-half minute interviews with Broadway luminaries, hosted by Isobel Robins and Richard Seff, and syndicated to radio stations around the country. ATW - In The Wings American Theatre Wing Focusing on the people who are almost never in the news but who are essential to the making of the shows we all see and love, In The Wings explores the talents and stories behind the scenes, from the costume and scenic shops to the rehearsal room to the stage itself, with designers, artisans and craftspeople explaining their unique contributions to theatrical art in their own words. These short videos shine the spotlight on disciplines you may not even realize are a part of theatrical production and celebrate the full diversity of talent that contribute to bringing a show to the stage.
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