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Eliyahu Berkowitz

Eliyahu was raised in New Jersey and, after dropp…

An episode of the The Miriam Project Geula Hour podcast, hosted by The Miriam Project Geula Hour, titled "Eliyahu Berkowitz" was published on November 20, 2019 and runs 38 minutes.

November 20, 2019 ·38m · The Miriam Project Geula Hour

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Eliyahu was raised in New Jersey and, after dropping out of college, moved to New York City where he cooked in exclusive French restaurants. After ten years,he went on a summer tour with the Grateful Dead, and decided to move to Israel. He moved to Kibbutz Sde Eliyahu in 1991 at the age of 30 where he milked cows, served as a combat medic in the IDF (not concurrently), and generally had a good time. After four years, he left kibbutz and moved to Bat Ayin where he learned in Yeshiva for the next nine years, met his wife, and built a house. Six years ago they moved to the Golan, and four and a half years ago he began writing for Breaking Israel News. Eliyahu has written over 2,500 articles, most related to Geula. He has also published two novels: The Hope Merchant and Dolphins on the Moon. Music: "Happiness" by bensound.com

Eliyahu was raised in New Jersey and, after dropping out of college, moved to New York City where he cooked in exclusive French restaurants. After ten years,he went on a summer tour with the Grateful Dead, and decided to move to Israel. He moved to Kibbutz Sde Eliyahu in 1991 at the age of 30 where he milked cows, served as a combat medic in the IDF (not concurrently), and generally had a good time. After four years, he left kibbutz and moved to Bat Ayin where he learned in Yeshiva for the next nine years, met his wife, and built a house. Six years ago they moved to the Golan, and four and a half years ago he began writing for Breaking Israel News. Eliyahu has written over 2,500 articles, most related to Geula. He has also published two novels: The Hope Merchant and Dolphins on the Moon. Music: "Happiness" by bensound.com
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Pearl Maiden by H. Rider Haggard (1856 - 1925) LibriVox This is the story of Miriam, an orphan Christian woman living in Rome in the first century. She falls in love with a Roman officer, but knows that her Jewish childhood playmate loves her too- and will do anything in order to get her love in return. (Summary by Stav Nisser) The Marble Faun Nathaniel Hawthorne The Marble Faun is Hawthorne's most unusual romance. Writing on the eve of the American Civil War, Hawthorne set his story in a fantastical Italy. The romance mixes elements of a fable, pastoral, Gothic novel, and travel guide. In the spring of 1858, Hawthorne was inspired to write his romance when he saw the Faun of Praxiteles in a Roman sculpture gallery. The theme, characteristic of Hawthorne, is guilt and the Fall of Man. The four main characters are Miriam, a beautiful painter who is compared to Eve, Beatrice Cenci, Lady Macbeth, Judith, and Cleopatra, and is being pursued by a mysterious, threatening Model; Hilda, an innocent copyist who is compared to the Virgin Mary; Kenyon, a sculptor, who represents rationalist humanism; and Donatello, the Count of Monti Beni, who is compared to Adam, resembles the Faun of Praxiteles, and is probably only half human. (Summary by Wikipedia) The Sincerely, Mir Podcast Miriam Diane a lifestyle podcast all about homemaking, motherhood, faith, slow living, & holistic health. Backwater (Pilgrimage, Vol. 2) by Dorothy Richardson Loyal Books "Backwater" is the second volume of "Pilgrimage," a series of thirteen autobiographical novels by Dorothy Richardson considered to have pioneered the "stream of consciousness" technique of writing. In a review of the first volume in the series, "Pointed Roofs" (The Egoist April 1918), May Sinclair first applied the term "stream of consciousness" in her discussion of Richardson's stylistic innovations. Richardson, however, preferred the term "interior monologue." Miriam Henderson, the central character in Pilgrimage, is based on the author's own life between 1891 and 1915. Richardson is also important as a feminist writer because of the way her work assumes the validity and importance of female experiences as a subject for literature. Her wariness of the conventions of language, her bending of the normal rules of punctuation, sentence length, and so on, are used to create a feminine prose, which Richardson saw as necessary for the expression of female experience. Virginia Woolf in 1923
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