Beatboxing actually has hidden health benefits. It can help strengthen and protect your voice from injury, see healthy living differently with manuelife, visit manuelife.ca slash health. It's a blast from the past on today's episode of Dead Rabbit Radio. First off, we check into a hotel that was built in the 1960s, but everything is not as groovy as it seems.
And then we travel to an orphanage in the 1930s where kids are being mistreated. They languish away on cots in the attic. Well, what happens when this orphanage is turned into a family's home? Today on Dead Rabbit Radio.
Hey everyone, welcome back to another episode of Dead Rabbit Radio. And your host Jason Marvin and I have a great day. Hope you guys are having a great day too. Hope you guys are having tons of fun out there in the world.
We got a lot of stuff to cover, so we're gonna get started right away. First off, walking into Dead Rabbit Command is our newest Patreon supporter. He's the groovyest of all the babies. Everyone, give it up for William Kerman.
Woo hoo! Yeah, donna, donna, donna. He's walking in and he's dressed up in his cheap Austin Powers costume. That's the only past thing I can think of for some reason.
I don't know, maybe William is dressed as a Roman Centurion, but William, you're gonna be our captain or pilot this episode if you guys can't support the Patreon. I totally understand. That's fine too. It's really groovy if you can't.
Just help spread the word about Dead Rabbit Radio. That also really helps out a lot. Shagalicious. William, let's go ahead and get this episode started this blast from the past episode.
I'm gonna go ahead and toss you the keys to the Jason Julyp. We're gonna leave behind Dead Rabbit Command. Drive us all the way out to Ohio. Specifically, we're gonna head out to Southern Ohio.
I know that's not super specific. You're like, okay, the bottom half of the state, real great directions. It's the year 1996. I got this story off a website called Phantoms and Monsters.
It's an amazing website. Link to the story will be in the show notes. In 1996 in Southern Ohio, there were two traveling workers that had to take care of some business in the area. They don't give their names.
We're gonna go ahead and call them the main character, the guy who told the story. We're gonna call him Charles and then he has a co-worker named Jake and they're traveling through the area. They're doing their job and then they decided to get a motel room. They're like, we've been working three days straight.
The meth has powered us. But at this point, we probably should catch him Z. So they stopped at this motel and Charles said, there's a small motel. He probably estimated around 30 rooms in this motel.
And he goes, it's one of those that looked like it was built in the 50s. This is old-timey, not like super old-timey, not like swinging saloon doors. I'm like a guy on the piano. Not the 1850s, just the 1950s.
The time of the Mad Men and building buildings. That's what they did back then. So this hotel seemed to be built in the 1950s and Charles and Jake, they go to the front desk and they check in, scribble, scribble, scribble. Right there, names down the book, all that good stuff.
And they get their key for their hotel room. And Charles goes, listen, I've stayed in a lot of hotels here in my life. I kind of know what I want. I want a hotel room that's the farthest away from the front counter.
It's really hard to smoke meth if there's a guy working right next to you. No, I don't think he really specifies why he wanted it far away, but you don't want cars pulling up constantly. It would make sense because that's going to be the busiest part of the motel is the check-in place. So get away from there.
Anyways, he and his co-worker, they get the room farthest away from the clerk. I don't hurt his feelings when they walk in there like we like a room, but nowhere near you. He's like, oh, they walk into the hotel room and Charles is immediately struck. Right, the fact that this entire room is retro.
This entire room has been fitted with 1960s the core. Retro was a big thing in the 1990s. I remember it was like the 50s and 60s. Awesome powers, obviously starting cursing the world with his presence in the late 90s.
Nowadays, the retro movement is like 80s and 90s, but in the 90s, it was the 60s. So and they walk in and he goes it was odd. We weren't told this was a theme hotel, but we walk in the room. Everything's decked down in 1960s.
The curtains, the furniture, the carpet, the wallpaper, everything, but it wasn't just that. He said he noticed two other interesting details that really sold the retro flair. One, the technology was also from the 1960s. So the phone and the television set, it's one thing to have shag carpets and a groovy wallpaper, but I won't be able to pick up the phone.
What's funny, 1990s, we still had wired phones. I had wired phones. Some of them were cordless. You're rich.
If you had $100 to drop, you get yourself a cordless phone, but you know, I want to watch television on a, actually in the 1990s. Now that I remember, I also still had, we still had his big thick television sets. So the really difference between a giant CRT television set and a wood panel TV on the, those little wooden legs like you see from photos from 60s picture quality would be slightly better on a 1996 television set. So it wouldn't be that big of a problem.
Basically, it was weird though. It was weird to see retro technology, the phone and the television and the fridge and everything. That was a weird detail. And it was also odd.
This is super interesting, right? He kind of, I don't know if he realized all of this stuff right away. It could have been as time passed. He was kind of having this memory.
I don't know if I'd be able to take all these details right away. He walks into the room. It's 100% retro ceiling to floor. The technology is of the time period of the 1960s.
And he said it, it was all new. It was all new. Now, I understand if you're going to put together a retro room, you're not going to have like cracked wallpaper, a busted up couch. Remember, this is a motel in Southern Ohio.
This wasn't some museum piece. This wasn't something, this wasn't a set from a television set. I would go to a normal hotel today and find everything brand new. The telephones never work when I'm there.
Actually, it's so funny not to think about it. Most hotels, their phones are still corded. But anyways, he said everything looked new, which is not what you would expect in a motel, especially if everything in it is from the 1960s. Where did they get all this stuff?
The retro thing was a retro craze at the time, but it would be expensive to buy a bunch of new or new looking 1960s up just to decorate this tiny motel. And again, they were not told at any point it was a themed hotel. Charles and Jake, they walk into this room. Everything looked like it's right out of the 1960s.
As they're walking into this motel room, the bathroom door opens up. The bathroom door opens up and Charles and Jake immediately catches their attention. This is their motel room. There's not supposed to be anybody else in here.
The bathroom door opens up and out of the bathroom steps a 20 something year old woman screaming her head off. She's absolutely terrified that there are these two gentlemen standing in this room. And it takes Charles and Jake back, right? Obviously they have no ill intentions.
They were entering the room that they just got from the clerk. They turned this woman in her 20s. Steps out of the bathroom begin screaming out them. And they immediately leave.
They're like, oh my God, I'm so sorry. I'm so sorry. And they immediately leave and they're walking back to the clerk. And they assume that they've been double booked.
I feel really bad about it, right? Nobody likes scaring. I mean, that's not true. I think it's kind of funny.
But you want to scare someone on accent. That's actually kind of funny too. In this situation, you don't want to scare a random stranger by appearing in her room. We'll say that.
I'll draw the line there. They feel bad about it. They're walking to the clerk's office and they tell what happened. Hey, man, I think you double booked us because we went into that room and this woman came out of the bathroom and she's freaking out and the clerk goes, no, that's impossible.
Like I believe you guys are trying to get your money back in some weird scheme. I'll go check it out for you. But we only have three rooms checked out. There's no no reason why we would double booked.
It has to be an accident. So he returns to the room with Charles and Jake and they walk back there. The farthest room away. The clerk knocks.
There's anyone in there. There's anyone in there. There's no response. The clerk opens the door and steps into the room.
There's no one there. There's no one in there. Charles and Jake, they now step into the motel room. It's a completely modern room.
Normal, bland wallpaper, modern television, modern phone, modern everything. Clerk goes, no one's here. I don't know what that was. I'm sorry.
I don't even know how to explain that. I hope you guys have a good night in the clerk leaves. What's interesting is as Charles thought more about this experience, you know, everything happened so fast when they walked into the room, the first time they were kind of able to take in what was going on. They noticed all of the designs were retro and the technology was retro.
When the woman came out of the bathroom, it shocked them. They didn't expect anyone to be in there. But as Charles thought more about the story and was trying to remember what was going on, there was another peculiar detail. The woman who came out of the bathroom, her clothing was of the 1960s era with a hairdo to match.
What's interesting about this? Let's take the story of face value, right? Let's say that him and Jake actually experienced this. This is something that is often implied with time slips and we might have covered it once or twice.
It's often implied with time slips, but it's never, it's rarely set out right. And it's that the slip happens both ways. This is actually how he ended his testimonial. Charles wrote quote, I believe we stepped into a glitch in time that day.
I often wonder if by chance some young woman was scared to death seeing a couple of strange looking men in her room in the 1960s. That would be her experience, right? It would be a time slip. She's in the super modern room.
It has all the latest advancements in technology that a motel can afford. She goes to the bathroom and she's walking out now, she's done her business and there's just two dudes, there's two dudes standing in your room and you scream and they leave and then you go to the clerk and you go, oh my God, some guys broke in and maybe that police are called, maybe, right? Maybe the clerk is just like, well, it's so funny to see on our end, the way Charles is looking at it is he is looking into a knowable past. We know what the fashions, we know what the technology, we know what the decor looked like in the 1960s.
So if you, you wouldn't press the issue, if you went into the room and you saw us from the 1960s and the girl from the 1960s came running out of a room and you ran away and you came back in the room as normal, you could kind of understand that you would think it could be mental illness or hallucination, but you could also go, oh, what if that was one of those time slips I've heard about? Right about the New York Times, I said, be careful this Thursday time slips across the East Coast, but flip it around, a woman in the 1960s, if she saw two men wearing clothes from 1996, she would have, she would not be thinking, oh, these must be visitors from the future who are in my room. She would just see two dudes and freak out. It would be a totally different experience.
Unless they were straight up wearing like spaceman suits, if you came to your home tonight, you get off work, you come home, and there's a guy wearing like a lime green tie, blue jeans, and a t-shirt that says, poca poca, after you get done beating this guy to death at the baseball bat, well, you keep swinging and he's able to avoid you. He's super fast and he jumps out the window and runs away. You would assume that guy was a weirdo. You would assume that guy was some sort of homeless bum who broke in your house.
You would assume that if you would assume 100 different things, but you wouldn't assume, oh, it must have just been a time slip and that's how people will dress in the future. But to the person in the poca poca shirt, that's the newest craze sweeping when he came home to his house in the year 2045 and time slipped into yours, which is the same house, and he saw you walk in. He goes, well, that's weird. I walked into my home and it had a bunch of technology from 2022.
It was super weird. And then this guy came in dressed up and he looked like he was wearing clothes from 2023. And that bat definitely, that technology has never advanced much. It hasn't had to.
And then I jumped out a window in the next thing and I was, but you know what, I mean, like the different versions. One person would go, wow, that was a really bizarre paranormal event. I slipped through time. But the person in the past seeing that would be like, oh my god, a bunch of weird, a bunch of weirdos just showed up in my room.
It's a fascinating story because of the time slip would work both ways. One person would have the privilege of knowledge to say that was just a time slip and the other person is just a horrifying event. Some people they don't recognize and clothes they can't understand. I mean, these guys, we don't know if these guys were wearing like flannel shirts and ripped jeans or they were wearing suits.
Obviously, they wore suits. And the 1960s was just the cut of the clothing, just the material, hairstyles, all that stuff would look radically different. You may, and that's if they're wearing suits. If they were wearing t-shirts with designs that we don't know what they're doing for a living, they may have been roadies, they may have been traveling salesman, we don't know.
Better installers. Their clothing could be not incongruable. So, like, you have a shirt that's the madness of Cthulhu. But you know what I mean?
If you went back in time and you were wearing a shirt that had a picture of Bart Simpson, it's not like people looking and I can't understand what they're having to explode. But people would have a heart. They'd be like, yeah, with some, this guy just was in my house in the middle of the night and he had the shirt on that said, don't have a cow man. And it was this little yellow kid.
Like, I don't know what that is. I have no idea what that is. You obviously could figure it was a drawer or something like I need my meds. I need my meds.
I saw a drawing, huh? Don't open the Sunday paper, ma'am. You totally lose your mind. But you know what I mean?
The visuals, the clues. Fascinating. Fascinating story. Our fun time-slip is another person's horrifying nightmare.
William Kerman, let's go ahead and talk to the keys to the carpenter copter. We are leaving behind Southern Ohio. Why is all the way out to the big city? How big of a city?
Not for sure. Specific location, not for sure. This story was posted online by someone going by the name Undercooked Band-Aid. They were actually told this story by their mother.
That's who we're really interested in. She doesn't give her name. We're going to go ahead and call the mother Tracey. And this is Tracey's experience.
It's a pretty cool story here. Tracey and her husband, let's call him Bill, are visiting a friend. A friend of theirs named Mary, recently got married. And Tracey and Bill and Mary and her new husband and a score of other people are all at Tracey's house for a housewarming party.
She had recently moved into this new house. Everything's just going great for all of these young couples. They're starting life together. And as they're on the tour of this house, Bill starts to notice that Tracey is sweating.
Eyes are darting from sight to sight. You know something's wrong with his wife, but he can't really figure out what it is. But by the time Tracey rolls down a giant set of stairs, hits the ground and then jumps up and sprints out of the house. Bill realizes that something went seriously wrong.
Somewhere along this tour, he didn't think his wife was capable of this. But after watching her fall down several stairs and then without wasting a breath, breaking to a full sprint, he follows her out of the house. When he gets out, Tracey is lighting a cigarette. The cigarette, she always kept behind her ear, just in situations like this.
Not stair-falling situations, but stressful situations. She always has at least one cigarette tucked behind her ear. And when Bill comes out of the house, Tracey is standing there on the sidewalk, lighting that cigarette and taking a deep drag of it, trying to calm her nerves. And Bill is worried, really.
That's the first emotion he can really think of. He walks up to Tracey and goes, Tracey, oh my God, what happened? I saw you fall down the stairs and you just ran out of the house. You look like you were a little uneasy, but what happened?
And Tracey turns to her husband and says, I never told you about the dream. When Tracey was a child, she had this recurring dream. It didn't happen every night, but it happened. It repeated and it was always the same dream.
Tracey was in the dream. She was a social worker. And based on the clothes she was wearing and the environment that she was walking through, Tracey, when she was awake, she kind of surmised that this dream took place in the 1930s. That would be her best guess.
And Tracey is a social worker and she's working into the old part of the city at that time. It would have been the new part of the city. And her job as a social worker was to make sure that children were getting the care that they needed. She may be working in a home one week.
She may be investigating child abuse allegations and other. And on this particular day in this dream, it was her job to go check on a orphanage. And when this dream starts, she is walking into this orphanage. Tracey begins to make her way around the house.
And there's this long staircase in the house. And she walks up the staircase. And it leads to the second floor. And then if you continue walking up the staircase, it leads to an attic.
An attic. I think this is how it's normally pronounced. An attic. It's that room in the ceiling of your house.
If you have no idea what word I'm saying, an attic. When Tracey continues walking up the staircase, she gets to the attic door and she opens it up. And inside, she sees. And Tracey is walking up the stairs.
She sees near the top of the stairs of this giant stained glass window. She continues to walk up to where the staircase leads to a door that leads into the attic. And she walks up and she opens the door. And almost in utter darkness was little kids on cots.
She sees all of these orphans on these cots. And they're pleading for help. They're malnourished. You visibly you can tell that they're sick.
They're also in the attic. I mean, that's a pretty good indicator that they're not being taken care of. You have all these cots and all these kids. And they're crying out for help.
And just at that moment, the matron of the orphanage. I don't know what the actual word is for that. But the matron of the orphanage shows up and says, oh my god, oh my god, you can't tell anyone about this room. They'll shut us down.
And if they shut down the orphanage, then where will the rest, where will the healthy orphans go? Those healthy orphans, they have a chance. You don't want them out on the street. And Tracey is furiously scribbling notes in her pad.
And she begins to lock down the stairs. She's like, no, I have to report you. What are you talking about? Like those kids are, they're prisoner up there.
And they're so malnourished. They're sick. They need help. Like we will work this out.
But I need to report this to my superiors. And as she's walking down the stairs, she hears the matron of the orphanage hiss, you pig. And then she feels a hand push against her back. And Tracey begins to tumble down the long staircase.
That's when she would wake up every single time. That's when the dream would end. And she's standing outside of this building, smoking the cigarette. Her husband has never heard of this story before.
She never told him about the dream because it was a reoccurring dreamer. She was a child. But by the time she was a teenager, she stopped having the dream. Now she's in her early 20s.
And it's not when, when, when are you going to tell your husband about this? You never would have thought about it again. But now they're standing outside the house that Tracey had always seen in her dream. She goes, Bill, listen, when we walked into this house, I got this really weird feeling.
I didn't know where to place it. I just felt weird. We're meeting all these really nice people. We're in the company of friends, but something fell off.
But whatever. And then Mary says, Hey guys, I'm going to give you a tour. Showed us around. Everything was fine.
But then we got to the first step of that staircase. And I swear to God, Bill, I knew something was seriously wrong. We started walking up that staircase. And I saw that stained glass at the top of the staircase.
When I saw that stained glass window, I knew that I'd seen it before. And that's when it clicked. That's when it clicked. That's when I realized that this was the house that I, I died in.
Because in Tracey's view, that reoccurring dream, you know, as a child, you would have no context for it. You would think it was just a dream. But at some point, either because she had it during so many times, or because now she was in this building for real, Tracey started to think, this wasn't just the random dream. This was my past life.
This was the building that I died in in a past life. But as she's walking up the stairs, as Tracey's walking up the stairs in real life and she sees that thing glass window, you still have to think maybe this is just a coincidence. Maybe this isn't what I think it is. But when they go all the way up the staircase, and this is when Bill looks over and notices that Tracey's looking really, really sweaty, right, that something's wrong with Tracey.
But I mean, he's not thinking, he's not thinking that she's in the home. She died in over 100 years ago. Mary opens the door that leads to the attic. And now it's a room.
It's not they've converted it. It's no longer a storage space. Just while you're junk, it's a room. She goes, yeah, this place used to be the attic, but we're turning it into another room.
And Tracey looks into that room, a room that she had seen dozens of times as a child, if not more. She looks into this room and she sees in the corner of the room, stacked up against the wall, some old cots. Mary goes, yeah, the place used to actually be an orphan. It's a long time to go back in the early 1900s.
But when they moved out, they still had all this stuff in here. They even left these cots. At this point, Tracey is done with it. Tracey is the tourist over for her.
She's done. And she turns and she starts to walk down the stairs, very shakily, walk down the stairs. And she has that cigarette out of the back of her ear and she goes, I need to smoke. I need to get some fresh air and smoke.
And as she's walking down the stairs, her husband, Bill, who's just confused, he doesn't know what's going on, he says to her, he says to her this exact quote. She's walking down the stairs reaching for that cigarette bill says, I don't like when you have that cigarette behind your ear, it makes you look like a pig. And when she heard that word pig come out of his mouth, as she had her back to him, as she's walking down these stairs, as she needs to get out of this building. When she hears him say pig, she completely loses it.
Like the last remaining grasp she had on reality just disappeared. And she was free falling mentally and physically because once he said pig, it was almost like a psionic blast. She lost her balance and began rolling down the stairs in the middle of this housewarming party. And when she hit the ground, she took off running.
And that's when Bill followed her outside. And that's when she told Bill about the dream. Now, when I think it's so fast, I love this story. I absolutely love this story.
It's interesting on a couple different levels. One, obviously, we have a reincarnation aspect to this, which I don't think she ever really considered as a child. I think once the dream stops, she just stopped thinking about them. I don't think when she would wake up when she was seven or nine or whenever, however, she was, it started young and they went away before she was, you know, got out of her teens.
I don't think she ever welcomed and goes, wow, that must have been how he died in a past life. She may have had that thought, but it was probably just a weird, very occurring dream. And she didn't know what it was. So you have that.
And then when you visited the house in real life, and you start to realize, okay, that wasn't just a dream. That 100% was some sort of past life experience. Like, now I'm in that house that I dreamt about that I've never been to before. I'm not only in that house in real life, but it is confirmed to me that this house used to be an orphanage.
Like, you're putting too many pieces together. She sees the cots stacked up as garbage. When she had this dream, she saw the cots laid out, and there were these little kids being treated like garbage. But what's the most interesting point?
I mean, it's all interesting, right? Past life stuff when it's cool. I find super interesting. Sometimes it's lame.
Past life stuff is cool. I'm not a huge dream fan. But one of the details I like most about this story is the pig line. Because that doesn't even make sense.
I mean, for the old lady to call her a pig and push her, that makes sense because the woman is trying to stop this from getting out that she treats people this way and calling a woman a pig is a fairly common insult, especially between women. But when we look at the quote of Bill, she has to say right behind her ear. She's walking down the stairs and Bill says, I don't like when you have a cigarette behind your ear. It makes you look like a pig.
That doesn't even make sense. And Bill said, like when they were outside and she told him this dream and she goes and then you called me pig and I just lost and I fell down the stairs, Bill goes, I don't even know why I said that. I don't think he goes, I've never said anything like that before. And they was the first thing that popped in my head.
I almost didn't, it just, I just said it. I didn't think about it. I just said it. And it's interesting because it doesn't make sense at all.
There's never, I mean, like, unless I'm missing something, unless I'm not a farmer, but unless I miss the fact that pigs walk around with cigarettes behind her ears, it doesn't make sense. I mean, he goes, I don't know why I said it just popped in my head and it came out my mouth. That's super interesting because basically what we're doing in a way is recreating the crime when Tracy came back to this house. Who knows how many lives later?
This could have been her second or she could have lived, you know, 20, 30 different lives. Who knows? Like Green Guardians is one of those things I'm not completely sold on, but I don't completely dismiss either. But she's back in this house and she has to sit right behind her ear and he says that and it doesn't make any sense.
And it is almost like that psychic violence has spread across the decades with that when all of these things, when all of these pieces were back in order, he said what she said, he said what the old matron said. And instead of pushing her, it was just too much and basically like it knocked her down the stairs. Like a psionic blast, like something just erupted. It's fascinating.
It's a super fascinating story. The daughter, you know, she's the one who's typing this out, but she went on to say that Tracy and Bill, my parents never went back to that house. They never went back to that house. They still remained friends with Mary.
I don't know how many friendships into because someone lives in a haunted house. Well, it's not on it house, actually. It was really only haunted for Tracy and her horrific memory. She goes, they never went back to the house.
They still remained friends with Mary, they never went back. But Mary continued to live in that house, happily married and then less happily married and then eventually things ended in a divorce. She was with her husband for about 10 years, they lived in that house. And then she left him.
And shortly after that, her ex-husband killed himself in that very house. So is the how I mean, you imagine a how imagine if he's going to be haunted, it's a place with a bunch of dead orphans and possibly a murder as well. It would be interesting that now that Tracy knew the house existed. Could she have gone back and found paperwork or found proof of like a social worker being pushed down the stairs, maybe dying at that house?
Remember, she always woke up, right when she was pushed. So she could have just fallen down a couple of stairs and then said, I'm still reporting knew that shove of a few stairs will not stop me. She reported her and then the orphanage got shut down as possible that she fell all the way down the stairs and died. It's possible that the orphanage that she complained about the orphanage but the city didn't do anything because the city's like where else are we going to put these orphans and it continued to operate into the 1950s.
It's possible that she did report it and they shut it down within a week. We don't know. We don't know the city where any of us took place, Tracy could check this stuff out herself. But we're gonna wrap it up like this.
Would you want to know? On the one hand, we are paranormal researchers or aficionados of the world of paranormal if you're listening to this podcast. So you go, yeah, sure. I would totally want to know if that happened to me.
If I found out that my reoccurring dream was based on a real-life action and may have shown that I died in the past life, I'd want to know. And I think that's easy for us to say not being the one shoved down the stairs. But let's put ourselves in Tracy's shoes here for a moment. Think of it like this.
You now know your dream's real. You find out the name of the social worker who was pushed down the stairs and died and it says in the article like she was survived by her four children and it gives their names as well. And would you look those kids up? You know what I mean?
If you saw, if you had proof that you died in the past life as recent as the early 1900s, there will still be a bloodline for that family. Let's say she had four kids, okay, that's a little life before four kids in a social worker. But maybe, you know, the times are different back then. She has four kids and then you find out that they all lived, you know, from 1938.
They may still even be alive. They may be old people, but then they have families and you have all of these kids and grandkids of a past life you living in your town. And then it's really bizarre to think about it and it almost may be better not to know than to find out that you were the mother of a girl named Daisy Adams. She was born in 1915.
She lived in 1975. She had four kids of her own and they're still alive. One of them runs a real estate division. One of them played a little bit of college football and then settled down.
You'd be like, I have a family. My past life had a life and had all of these kids and all of these relationships and they're still living in my city and I can look them up in the phone book. What do you do in that situation? Like the past life, it's almost too close to Tracy's modern life.
You know what I mean? Like it's one thing to say, oh, I used to be an Egyptian princess. It's another thing to say. I used to be a plumber in the town that I live in now and he died 50 years ago and he had a family.
So you would have to, it's super trippy. I think as an abstract guy removed from the situation, I would totally be like, oh, I wish the person who wrote this out and told us what city it took place and maybe we could do a little bit of digging and find out more about this orphanage, but I also understand why you want to reveal any of that information. On the flip side, I also realized why you personally, if it happened to you, you wouldn't want to investigate it. It's one thing to find out you were related to some surf, not related.
In a past life, you were a surf in medieval England. That's one thing. It's another thing to find out like your previous life died at 10 years before you were born. And you know 100%.
Like you know how they died. It was in this day and you can find that person's death on that date in your local newspaper. You know, and it's funny now that you think about it, we don't know how close Mary and Bill and Tracy all lived together. It was close enough that you could travel there to reincarnate in such a short time period in the same roughly geographical location.
It doesn't necessarily say they live in the same city, but it's close enough to visit. It's always weird. It's the whole story is super weird. And then the idea of the same word being used, calling them a pig, like for a moment was the husband possessed by this old lady, or was it just such an intense moment in time that it may play out multiple times.
That's another, we'll have to grab it like this, I keep going on. But when Tracy does inevitably pass away, what are the chances are that when she does, if reincarnation true, if she does reincarnate, this won't play out again. Somehow even that future version of Tracy will somehow be brought into that house. That's super way.
It's weird the word that I think about it. Like her friend, who's a close enough friend that they're going to visit each other, buys the house that Tracy died in. Like there's a lot of little pieces that have to fall in place. Like Jason, yes, because the story's made up.
You could argue that obviously any all of this stuff could be made up. Every single thing we talk about could be made up. But if it's not made up, it's actually quite intricate. And super, I love this story.
It's really, really cool. Did she actually dream of a past life and she had it multiple times? Why did the dreams stop? Why did the fates lead Tracy back there?
Why did her husband call her a pig? Why were the cots still there? You think you would throw them away, but was part of this whole intricate scheme to have her know 100% that this was the place was the other husband, the ex-husband suicide caused by dark spirits in this house. And more chilling of all is will Tracy relive this in one way or the other in other future lives?
No matter where she goes or what she does in future incarnations, will she always be brought back to this house in one way or the other? Is it possible that this ex orphanage wasn't just a prison for sick children, but it's now also become a prison for Tracy herself? Is it possible that no matter how many times she lives and dies, every incarnation of her will find its way back into the orphanage? No matter what she does, no matter who or when she is, she will always find herself standing on those stairs, just another prisoner of the orphanage.
That rapper radio is the Daily Paranormal Conspiracy true crime podcast. You don't have to listen to it every day. I'd like to listen to it today. Ever it has.