Episode 12: Colin Edwin (ex-Porcupine Tree, O.R.k.)

Porcupine Tree band leader Steven Wilson started his 2022 autobiography, Limited Edition of One, with a story about the band’s last show before the start of their well-known hiatus that began in 2010.   He wrote that subconsciously, while playing before a sold out crowd at the famous Royal Albert Hall, he knew that it would be the last thing Porcupine Tree did for a while.  There was one problem: he neglected to tell all of his bandmates of these plans for quite some time.One of those bandmates was long-time bassist Colin Edwin, who had joined Porcupine Tree officially in 1993 as the group transitioned into a live unit, and played on every album from 1997’s Signify through 2009’s The Incident. As the days and months and even years wore on without any action on the Porcupine Tree front, Colin found himself left to explore and discover other musical avenues.   As he tells it, he started with a collaboration with another bassist, and through each new project or band, he was able to gain more confidence as a songwriter and player in each new experience as it came along.  One of these experiences was a band called Obake, featuring an Italian vocalist named Lorenzo Esposito Fornasari, or LEF for short.  LEF would eventually ask Colin to form a group with renowned Italian guitarist Carmelo Pipitone, with the lineup rounded out with drummer Pat Mastelotto from King Crimson.   This is how O.R.k. was born.  Now a decade into their existence, O.R.k. are about to release their fifth studio album, Firehose of Falsehoods, on March 21st through Kscope Music, adding to their highly revered catalog in progressive circles.  Though spread out between the United Kingdom, United States, and Italy, the group takes a collaborative approach to songwriting in which all members feel free to bring something to the table musically.  By his own admission, after years in a less democratic band, Colin embraced the opportunity to develop and allow that aforementioned confidence to flourish in this new environment, discovering and revealing another side to his musicianship that the world never got to see with Porcupine Tree.  Prior to the release of Firehose of Falsehoods, I had the chance to speak with Colin about the new record, plus:the social significance of the title Firehose of Falsehoods, his personal contributions to the album, O.R.k.’s origin and songwriting process, and how LEF conjures the ghost of Chris Cornell.how the band came to work with Serj Tankian of System of a Down, how they got Adam Jones from Tool to design their album covers, and bonus octopus facts.former Porcupine Tree touring guitarist John Wesley’s guest solo on the album, PT’s 2003 tour with Opeth, how “Trains” became an unlikely encore song, and a discussion of In Absentia and what influenced its metal direction.Colin’s favorite basslines to play from Porcupine Tree, a reflection on the last 15 years since he left the group, and the origin of O.R.k.’s name.  When Porcupine Tree’s hiatus ultimately ended in 2021 with the announcement of Continuation/Closure, and its release in 2022, Colin would still be awaiting that call from his old band leader, as he was rather informed by a lawyer that he would not be a part of the reunion.  Without the hiatus and events that followed, however, it’s possible he never would have had the opportunity, or need even, to develop another side of himself musically.  In speaking with Colin, it is abundantly clear that he’s gained that confidence he was seeking in 201