Episode 168 – The Church (1989) episode artwork

EPISODE · Jul 11, 2025 · 2H 4M

Episode 168 – The Church (1989)

from Dark Night of the Podcast · host Troy Escamilla, Roger Conners

Troy and Roger crack open the cursed seal of The Church, Michele Soavi’s ambitious Italian horror film where stunning visuals clash with a script that feels like it was possessed mid-scene. They dive into the film’s wild opening massacre, its uneven rules around demonic possession, and a cast of characters who often seem as confused as the audience. From awkward romantic subplots to questionable dubbing choices, the guys try to make sense of the beautiful chaos unfolding inside a haunted cathedral built on a foundation of medieval sins. They debate whether the film’s atmosphere makes up for its narrative gaps, and why so many people keep wandering off alone in a literal demon church. It’s messy, moody, and somehow still manages to be memorable, even if it leaves you with more questions than answers.

Troy and Roger crack open the cursed seal of The Church, Michele Soavi’s ambitious Italian horror film where stunning visuals clash with a script that feels like it was possessed mid-scene. They dive into the film’s wild opening massacre, its uneven rules around demonic possession, and a cast of characters who often seem as confused as the audience. From awkward romantic subplots to questionable dubbing choices, the guys try to make sense of the beautiful chaos unfolding inside a haunted cathedral built on a foundation of medieval sins. They debate whether the film’s atmosphere makes up for its narrative gaps, and why so many people keep wandering off alone in a literal demon church. It’s messy, moody, and somehow still manages to be memorable, even if it leaves you with more questions than answers.

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Episode 168 – The Church (1989)

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This episode was published on July 11, 2025.

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Troy and Roger crack open the cursed seal of The Church, Michele Soavi’s ambitious Italian horror film where stunning visuals clash with a script that feels like it was possessed mid-scene. They dive into the film’s wild opening massacre, its uneven...

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