Episode 170: Guy Debord's "Society of the Spectacle" (Part Two)

More on the 1967 Situtationist book. Do we buy Debord's critique? Is any merely partial critique (i.e. no revolution) just more spectacle? Is technology inherently dehumanizing? Don't these passivity/anti-technology arguments even apply to books? Could Debord's model of authenticity catch on in society as a whole? Start with part 1, or get the Citizen Edition. Please support PEL! End song: "Millionaire" by The Mekons (1993); Jon Langford appears on Nakedly Examined Music #22.