EPISODE · Mar 24, 2026 · 35 MIN
Episode 4 | ChoreograpHER: Endalyn Taylor Outlaw
from At the Barre with Madison Ballet Special Projects · host Caitlin Sloan
In this episode of At the Barre, we are joined by Endalyn Taylor Outlaw, Dean of Dance at the University of North Carolina School of the Arts and guest choreographer for Madison Ballet’s ChoreographHER.Endalyn shares her journey from a creative childhood in Chicago to an acclaimed career with Dance Theatre of Harlem and on Broadway, to her evolution into a choreographer and educator.This conversation centers on her work It’s the Thing with Feathers. Inspired by Emily Dickinson’s poem Hope is the Thing with Feathers, the piece explores the varied ways hope can show up in our lives, with movement functioning almost as its own character. Set to a dynamic score by Nils Frahm, the piece reflects Endalyn’s interest in blending classical and contemporary vocabularies while creating an expressive, human-centered experience.Throughout the episode, Endalyn also shares her perspective on the role of academia in the dance world, as both a space for experimentation and a bridge to the professional sphere.About Endalyn Taylor OutlawDancer, choreographer, and educator Endalyn T. Outlaw (née Taylor) is the dean of the School of Dance at UNCSA. She has held the positions of director of Dance Theatre of Harlem (DTH) School in New York — a company she joined in 1984, becoming a principal dancer in 1993 — and director of the Cambridge Summer Art Institute in Massachusetts. Her extensive administrative, artistic and academic career is steeped in ballet pedagogy and she has created an eclectic body of choreographic works.Outlaw excels at restaging ballets, having performed many of the classics and having worked with luminaries in the field including DTH founder Arthur Mitchell, British-American ballet dancer and choreographer Frederick Franklin, director and choreographer of LINES Ballet Alonzo King, American dancer and choreographer Agnes de Mille, and director and choreographer of Garth Fagan Dance and “The Lion King,” Garth Fagan. She has performed on Broadway and stages all over the world, including as an original cast member of Tony Award-winning Broadway productions of “The Lion King,” “Aida,” and “Carousel.”See “It’s the Thing with Feathers” by Endalyn LIVE in ChoreograpHER April 3-5, 2026🎟️ madisonballet.org/choreographerJoin the conversation!MBSP WEBSITE: https://www.madisonballetspecialprojects.com/INSTAGRAM: instagram.com/madisonballetspecialprojectsUPCOMING MADISON BALLET PERFORMANCES: https://www.madisonballet.org/performancesQuestions/comments? Email us at [email protected] PHOTO: Matthew UlrichDANCER: Madison Ballet Company Artist Lauren ThompsonMUSIC: Capet String Quartet - Ravel (Col. D 15057-60) 1928
What this episode covers
In this episode of At the Barre, we are joined by Endalyn Taylor Outlaw, Dean of Dance at the University of North Carolina School of the Arts and guest choreographer for Madison Ballet's ChoreographHER. Endalyn shares her journey from a creative childhood in Chicago to an acclaimed career with Dance Theatre of Harlem and on Broadway, to her evolution into a choreographer and educator. This conversation centers on her work It's the Thing with Feathers. Inspired by Emily Dickinson's poem Hope is the Thing with Feathers, the piece explores the varied ways hope can show up in our lives, with movement functioning almost as its own character. Set to a dynamic score by Nils Frahm, the piece reflects Endalyn's interest in blending classical and contemporary vocabularies while creating an expressive, human-centered experience. Throughout the episode, Endalyn also shares her perspective on the role of academia in the dance world, as both a space for experimentation and a bridge to the professional sphere. About Endalyn Taylor Outlaw Dancer, choreographer, and educator Endalyn T. Outlaw (née Taylor) is the dean of the School of Dance at UNCSA. She has held the positions of director of Dance Theatre of Harlem (DTH) School in New York — a company she joined in 1984, becoming a principal dancer in 1993 — and director of the Cambridge Summer Art Institute in Massachusetts. Her extensive administrative, artistic and academic career is steeped in ballet pedagogy and she has created an eclectic body of choreographic works. Outlaw excels at restaging ballets, having performed many of the classics and having worked with luminaries in the field including DTH founder Arthur Mitchell, British-American ballet dancer and choreographer Frederick Franklin, director and choreographer of LINES Ballet Alonzo King, American dancer and choreographer Agnes de Mille, and director and choreographer of Garth Fagan Dance and "The Lion King," Garth Fagan. She has performed on Broadway and stages all over the world, including as an original cast member of Tony Award-winning Broadway productions of "The Lion King," "Aida," and "Carousel." See "It's the Thing with Feathers" by Endalyn LIVE in ChoreograpHER April 3-5, 2026 🎟️ madisonballet.org/choreographer [http://madisonballet.org/choreographer] Join the conversation! MBSP WEBSITE: https://www.madisonballetspecialprojects.com/ INSTAGRAM: instagram.com/madisonballetspecialprojects [http://instagram.com/madisonballetspecialprojects] UPCOMING MADISON BALLET PERFORMANCES: https://www.madisonballet.org/performances Questions/comments? Email us at [email protected] Credits COVER PHOTO: Matthew Ulrich DANCER: Madison Ballet Company Artist Lauren Thompson MUSIC: Capet String Quartet - Ravel (Col. D 15057-60) 1928
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Episode 4 | ChoreograpHER: Endalyn Taylor Outlaw
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