Extra Ordinary (2019) with Wendy MacLeod

Driving instructor Rose Dooley lives alone in rural Ireland, but she’s hardly ever alone.  The local residents call Rose any time they have a, shall we say, ghost problem. Which happens more often than you’d think. You see, Rose’s father, the late ghost hunter Vincent Dooley, has imbued Rose with certain ‘talents’ to divine and chat up ghosts that are giving people a hard time. That’s when she’s approached by one Martin Martin, a woodworker whose late wife has been making his life hell for the past several years, constantly berating him and his choices from beyond the grave. At the same time, determined to sell his soul for a revived career, washed up American pop star Christian and his wife Claudia have been picking out virgins to sacrifice, and soon set their sights on Martin's daughter, Sarah. It’s up to Rose and Martin to foil the Winters’ nefarious schemes, and to make sure it's "curtains for Christian." Intro, Math Club, Debate Society, Hot for Teacher (spoiler-free): 00:00-25:32Honor Roll and Detention (spoiler-heavy): 25:33-56:00Superlatives (spoiler-heavier): 56:01-1:14:13 Directors Mike Ahearn & Enda LoughmanScreenplay Mike Ahearn & Enda Loughman and Maeve Higgins & Demian Fox Featuring Jamie Beamish, Terri Chandler, Emma Coleman, Risteard Cooper, Will Forte, Maeve Higgins, Claudia O’Doherty, Barry Ward Wendy MacLeod’s play The House of Yes became an award-winning Miramax film starring Parker Posey, and was produced by many theaters including The Magic Theater, Soho Rep, The Washington Shakespeare Company, The Maxim Gorki Theater in Berlin, and The Gate Theater in London. Her other works for the stage include Sin and Schoolgirl Figure, both of which premiered at The Goodman, Juvenilia and The Water Children, both of which premiered at Playwrights Horizons, and Things Being What They Are, which premiered at Seattle Repertory Theatre, had an extended run at Steppenwolf in Chicago, and was produced by The Road Theatre in LA. She was the first writer selected for The Writer’s Room residency at the Arden Theater in Philadelphia, where she wrote Women in Jeopardy! which was selected for The Kilroys' List and premiered at GEVA. The Ballad of Bonnie Prince Chucky was commissioned by and produced at ACT's Young Conservatory in San Francisco. Her prose has appeared in The New York Times, McSweeney's, Salon, POETRY magazine, and on NPR's All Things Considered. A graduate of the Yale School of Drama, she is the James E. Michael Playwright-in-Residence at Kenyon College. Her plays are available through Dramatists Play Service and at Playscripts.com. Our theme music is by Sir Cubworth, with embellishments by Edward Elgar.  Music from Extra Ordinary: “A Woman’s Heart” by Eleanor McAvoy, performed by McAvoy and Mary Black. For more information on this film (including why the Professor chose it, on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Our Blog⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠), the pod, essays from your hosts, and other assorted bric-a-brac, visit our website, ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠scareupod.com⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠. Please subscribe to this podcast via Apple or Google Podcasts, Spotify, or wherever you get your podcasts. If you like what you hear, please leave us a 5-star rating. Join our ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Facebook⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠ group. Follow us on ⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠Instagram⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠⁠.