EPISODE · Jul 2, 2025 · 32 MIN
Fiction and the Fantastic: Mikhail Bulgakov and James Hogg
from Close Readings · host London Review of Books
James Hogg’s ghoulish metaphysical crime novel 'The Private Memoirs and Confessions of a Justified Sinner' (1824) was presented as a found documented dating from the 17th century, describing in different voices the path to devilry of an antinomian Calvinist, Robert Wringhim. Mikhail Bulgakov’s 'The Master and Margarita', written between 1928 and 1940, also hinges around a pact with Satan (Woland), who arrives in Moscow to create mayhem among its literary community and helps reunite an outcast writer, the Master, with his lover, Margarita. In this episode, Marina and Adam look at the ways in which these two ferocious works of comic horror tackle the challenge of representing fanaticism, be it Calvinism or Bolshevism, and consider why both writers used the fantastical to test reality. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: https://lrb.me/applecrff In other podcast apps: https://lrb.me/closereadingsff Further reading in the LRB: Liam McIlvanney on James Hogg: https://lrb.me/ffbulgakov1 Michael Wood on Bulgakov: https://lrb.me/ffbulgakov2 LRB Audiobooks Discover audiobooks from the LRB: https://lrb.me/audiobooksff Learn more about your ad choices. Visit megaphone.fm/adchoices
What this episode covers
James Hogg’s ghoulish metaphysical crime novel 'The Private Memoirs and Confessions of a Justified Sinner' (1824) was presented as a found documented dating from the 17th century, describing in different voices the path to devilry of an antinomian Calvinist, Robert Wringhim. Mikhail Bulgakov’s 'The Master and Margarita', written between 1928 and 1940, also hinges around a pact with Satan (Woland), who arrives in Moscow to create mayhem among its literary community and helps reunite an outcast writer, the Master, with his lover, Margarita. In this episode, Marina and Adam look at the ways in which these two ferocious works of comic horror tackle the challenge of representing fanaticism, be it Calvinism or Bolshevism, and consider why both writers used the fantastical to test reality. Non-subscribers will only hear an extract from this episode. To listen to the full episode, and all our other Close Readings series, subscribe: Directly in Apple Podcasts: https://lrb.me/applecrff In other podcast apps: https://lrb.me/closereadingsff Further reading in the LRB: Liam McIlvanney on James Hogg: https://lrb.me/ffbulgakov1 Michael Wood on Bulgakov: https://lrb.me/ffbulgakov2 LRB Audiobooks Discover audiobooks from the LRB: https://lrb.me/audiobooksff Learn more about your ad choices. Visit megaphone.fm/adchoices
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Fiction and the Fantastic: Mikhail Bulgakov and James Hogg
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