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Gedaliah Blum

For Gedaliah Blum, "Economic Zionism" is much mor…

An episode of the The Miriam Project Geula Hour podcast, hosted by The Miriam Project Geula Hour, titled "Gedaliah Blum" was published on December 25, 2020 and runs 31 minutes.

December 25, 2020 ·31m · The Miriam Project Geula Hour

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For Gedaliah Blum, "Economic Zionism" is much more than a cute saying. It is the most effective way to redeem the Land of Israel, and to strengthen the families who sacrifice so much and risk so much to return to the land of their ancestors. For over 11 years, Gedaliah and his wife Elisheva have been building Judea and Samaria by helping more than 3000 family-run small business in the region. Today, they have opened up these doors to their work, wide open for people throughout the globe to take an active role in "Economic Zionism" for the goal of redemption. The initiative is called First Fruits for Redemption (https://first-fruits.org/). Subscribe to The Miriam Project emails by clicking here http://bit.ly/TheMiriamProject

For Gedaliah Blum, "Economic Zionism" is much more than a cute saying. It is the most effective way to redeem the Land of Israel, and to strengthen the families who sacrifice so much and risk so much to return to the land of their ancestors. For over 11 years, Gedaliah and his wife Elisheva have been building Judea and Samaria by helping more than 3000 family-run small business in the region. Today, they have opened up these doors to their work, wide open for people throughout the globe to take an active role in "Economic Zionism" for the goal of redemption. The initiative is called First Fruits for Redemption (https://first-fruits.org/). Subscribe to The Miriam Project emails by clicking here http://bit.ly/TheMiriamProject
23 - THE SLAVE-RING

Apr 13, 2026 ·34m

24 - MASTER AND SLAVE

Apr 13, 2026 ·40m

27 - THE BISHOP CYRIL

Apr 13, 2026 ·33m

28 - THE LAMP

Apr 13, 2026 ·31m

Pearl Maiden by H. Rider Haggard (1856 - 1925) LibriVox This is the story of Miriam, an orphan Christian woman living in Rome in the first century. She falls in love with a Roman officer, but knows that her Jewish childhood playmate loves her too- and will do anything in order to get her love in return. (Summary by Stav Nisser) The Marble Faun Nathaniel Hawthorne The Marble Faun is Hawthorne's most unusual romance. Writing on the eve of the American Civil War, Hawthorne set his story in a fantastical Italy. The romance mixes elements of a fable, pastoral, Gothic novel, and travel guide. In the spring of 1858, Hawthorne was inspired to write his romance when he saw the Faun of Praxiteles in a Roman sculpture gallery. The theme, characteristic of Hawthorne, is guilt and the Fall of Man. The four main characters are Miriam, a beautiful painter who is compared to Eve, Beatrice Cenci, Lady Macbeth, Judith, and Cleopatra, and is being pursued by a mysterious, threatening Model; Hilda, an innocent copyist who is compared to the Virgin Mary; Kenyon, a sculptor, who represents rationalist humanism; and Donatello, the Count of Monti Beni, who is compared to Adam, resembles the Faun of Praxiteles, and is probably only half human. (Summary by Wikipedia) The Sincerely, Mir Podcast Miriam Diane a lifestyle podcast all about homemaking, motherhood, faith, slow living, & holistic health. Backwater (Pilgrimage, Vol. 2) by Dorothy Richardson Loyal Books "Backwater" is the second volume of "Pilgrimage," a series of thirteen autobiographical novels by Dorothy Richardson considered to have pioneered the "stream of consciousness" technique of writing. In a review of the first volume in the series, "Pointed Roofs" (The Egoist April 1918), May Sinclair first applied the term "stream of consciousness" in her discussion of Richardson's stylistic innovations. Richardson, however, preferred the term "interior monologue." Miriam Henderson, the central character in Pilgrimage, is based on the author's own life between 1891 and 1915. Richardson is also important as a feminist writer because of the way her work assumes the validity and importance of female experiences as a subject for literature. Her wariness of the conventions of language, her bending of the normal rules of punctuation, sentence length, and so on, are used to create a feminine prose, which Richardson saw as necessary for the expression of female experience. Virginia Woolf in 1923
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