I Keep Telling People We’re Living in This Dystopian Novel episode artwork

EPISODE · Jun 19, 2026 · 1H 18M

I Keep Telling People We’re Living in This Dystopian Novel

from The Ezra Klein Show · host New York Times Opinion

A hypervisual, looks-obsessed, wellness-crazed, postliterate society where we’re constantly staring at screens and evaluating one another based on metrics, as the country around us feels like it’s falling apart: That sounds like the world we live in. It’s also the world Gary Shteyngart created in his 2010 novel, “Super Sad True Love Story.” I’ve been thinking about the book a lot recently, especially with the rise of the “looksmaxxing” influencer Clavicular and the longevity guru Bryan Johnson, and this feeling that people are upset and agitated but grabbing at the wrong things to fix it. It feels uncannily like the experience of living inside Shteyngart’s novel. But Shteyngart isn’t just a dystopian prophet, he’s also an expert at living well amid the world’s darkness. His forthcoming book, “The Sensualist: Adventures in Pure Pleasure,” is an essay collection about his efforts to do exactly that. So I wanted to have Shteyngart on the show to understand how he predicted so many of the grimmer aspects of our present, but also how we might delight in the world’s “endless buffet of pleasure” in spite of them. This episode contains strong language. Note: We’re recording an "Ask Me Anything" episode soon. If you have a question, please email [email protected] using the subject like "AMA." We'd love to hear from you. Mentioned: “The End Point Of Viral Content” by Ryan Broderick “How Jokes Won the Election” by Emily Nussbaum “A Visit to Seoul Brings Our Writer Face-to-Face With the Future of Robots” by Gary Shteyngart The Intimate City by Michael Kimmelman “Don’t Just Take the Slow Road; Design It,” Commencement address at Wesleyan’s 194th Commencement Ceremony, Chris Murphy Book Recommendations: Men Like Ours by Bindu Bansinath A Tender Age by Chang-rae Lee Motherland by Julia Ioffe Thoughts? Guest suggestions? Email us at [email protected]. You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs. This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris with Mary-Marge Locker. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser. Subscribe today at nytimes.com/podcasts or on Apple Podcasts and Spotify. You can also subscribe via your favorite podcast app here https://www.nytimes.com/activate-access/audio?source=podcatcher. For more podcasts and narrated articles, download The New York Times app at nytimes.com/app. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

A hypervisual, looks-obsessed, wellness-crazed, postliterate society where we’re constantly staring at screens and evaluating one another based on metrics, as the country around us feels like it’s falling apart: That sounds like the world we live in. It’s also the world Gary Shteyngart created in his 2010 novel, “Super Sad True Love Story.” I’ve been thinking about the book a lot recently, especially with the rise of the “looksmaxxing” influencer Clavicular and the longevity guru Bryan Johnson, and this feeling that people are upset and agitated but grabbing at the wrong things to fix it. It feels uncannily like the experience of living inside Shteyngart’s novel. But Shteyngart isn’t just a dystopian prophet, he’s also an expert at living well amid the world’s darkness. His forthcoming book, “The Sensualist: Adventures in Pure Pleasure,” is an essay collection about his efforts to do exactly that. So I wanted to have Shteyngart on the show to understand how he predicted so many of the grimmer aspects of our present, but also how we might delight in the world’s “endless buffet of pleasure” in spite of them. This episode contains strong language. Note: We’re recording an "Ask Me Anything" episode soon. If you have a question, please email [email protected] using the subject like "AMA." We'd love to hear from you. Mentioned: “The End Point Of Viral Content” by Ryan Broderick “How Jokes Won the Election” by Emily Nussbaum “A Visit to Seoul Brings Our Writer Face-to-Face With the Future of Robots” by Gary Shteyngart The Intimate City by Michael Kimmelman “Don’t Just Take the Slow Road; Design It,” Commencement address at Wesleyan’s 194th Commencement Ceremony, Chris Murphy Book Recommendations: Men Like Ours by Bindu Bansinath A Tender Age by Chang-rae Lee Motherland by Julia Ioffe Thoughts? Guest suggestions? Email us at [email protected]. You can find transcripts (posted midday) and more episodes of “The Ezra Klein Show” at nytimes.com/ezra-klein-podcast, and you can find Ezra on Twitter @ezraklein. Book recommendations from all our guests are listed at https://www.nytimes.com/article/ezra-klein-show-book-recs. This episode of “The Ezra Klein Show” was produced by Annie Galvin. Fact-checking by Michelle Harris with Mary-Marge Locker. Our senior engineer is Jeff Geld, with additional mixing by Johnny Simon. Our recording engineer is Johnny Simon. Our executive producer is Claire Gordon. The show’s production team also includes Marie Cascione, Rollin Hu, Kristin Lin, Emma Kehlbeck, Jack McCordick, Marina King and Jan Kobal. Original music by Pat McCusker. Audience strategy by Shannon Busta. The director of New York Times Opinion Shows is Annie-Rose Strasser.

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I Keep Telling People We’re Living in This Dystopian Novel

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This episode was published on June 19, 2026.

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A hypervisual, looks-obsessed, wellness-crazed, postliterate society where we’re constantly staring at screens and evaluating one another based on metrics, as the country around us feels like it’s falling apart: That sounds like the world we live...

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