Is One Cue Per Week Really Enough?

I’ve said before that you need 100’s of cues to make a living in the production music industry, but is one cue per week really enough? Today I’m going to unpack and illustrate how productivity and output might not be the linear journey we think it is.Plus we take a listen to “Waltz of Shame,” the latest submission in my Year of Taxi and check in on any forwards or returns, and then we take a listen to a funky heist cue cue written by 52 Cues Community Member, Dex Williams (https://soundcloud.com/dexwilliamsmusic).Watch this episode on YouTube!https://youtu.be/lSX0AdUabfw00:00 - Intro & Welcome02:30 - Year of Taxi Week 1 Check-In08:35 - Is One Cue Per Week Really Enough?35:56 - Join the 52 Cues Community!37:10 - "Funky Heist" by Dex Williams47:26 - Outro & How You Can Support 52 Cues!Support for the 52 Cues Podcast comes from ReelCrafter, the professional way to pitch your production music and know exactly when your cues are heard.Start your free trial at ReelCrafter.com/52Cues!Join the 52 Cues Community! – https://my.52cues.comIt's free to post your cues for feedback from the community, network with other composers, and ask questions about the industry!Plus, member subscribers get extra perks like workshops, livestreams,  cue breakdowns, live feedback sessions, hundreds of hours of video archives, and opportunities to submit to real music libraries.One-on-one coaching sessions and video critiques also available at http://52cues.com/coaching!Note: Links may be affiliate links which generate a small commission but at no extra cost to you!