It's My Cat In a Box!
An episode of the Get Offset: a Music and Guitar Podcast podcast, hosted by Get Offset, titled "It's My Cat In a Box!" was published on April 10, 2019 and runs 75 minutes.
April 10, 2019 ·75m · Get Offset: a Music and Guitar Podcast
Summary
Brian Spragg from Bookworm Effects is the co-host for Get Offset this week! They talk about their cats (in boxes), why you shouldn't trust a host, and pedal art. Specifically, they talk about brands that are doing a great job with beautiful, unique enclosures. But they also chat about a few examples that aren't as unique, as well as a few examples that toe the line between paying homage and ripping off someone else's notoriety. Episode sponsored by Jennings Guitars and Bookworm Effects. The Mt. Hood fuzz pedal by Spruce Effects is still available! There are only a few left, so don’t wait too long to buy. The Mt. Hood has its humble beginnings as the first ever series of Big Muff, the Triangle version. We ditched the tone control for a passive 3 band eq tone stack, added a presence control after the last gain stage for more tone shaping, put a footswitchable Germanium boost with gain and tone controls, and a diode switch to add an extra order of magnitude of tonal options.
Episode Description
Brian Spragg from Bookworm Effects is the co-host for Get Offset this week! They talk about their cats (in boxes), why you shouldn't trust a host, and pedal art.
Specifically, they talk about brands that are doing a great job with beautiful, unique enclosures. But they also chat about a few examples that aren't as unique, as well as a few examples that toe the line between paying homage and ripping off someone else's notoriety.
Episode sponsored by Jennings Guitars and Bookworm Effects.
The Mt. Hood fuzz pedal by Spruce Effects is still available! There are only a few left, so don’t wait too long to buy. The Mt. Hood has its humble beginnings as the first ever series of Big Muff, the Triangle version.
We ditched the tone control for a passive 3 band eq tone stack, added a presence control after the last gain stage for more tone shaping, put a footswitchable Germanium boost with gain and tone controls, and a diode switch to add an extra order of magnitude of tonal options.
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