Just Once episode artwork

EPISODE · Sep 7, 2003 · 5 MIN

Just Once

from Kurt-thee-Inducer · host Kurt-thee-Inducer

Man, mastering this one was tricky, with how low its overall sound was, and the bass drum being the loudest part of the entire song, this is probably the biggest bass cut I've had to perform on any song so far to help level it all out. The vocals are more than a bit wishy-washy in places, too, so getting them to sit comfortable on top of this old mix just wasn't happening how I'd like. But, that bit of mud also helps to give it that dirty, old school, underground hip hop appeal, which this track 100% has.

Man, mastering this one was tricky, with how low its overall sound was, and the bass drum being the loudest part of the entire song, this is probably the biggest bass cut I've had to perform on any song so far to help level it all out. The vocals are more than a bit wishy-washy in places, too, so getting them to sit comfortable on top of this old mix just wasn't happening how I'd like. But, that bit of mud also helps to give it that dirty, old school, underground hip hop appeal, which this track 100% has.

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Just Once

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Kurt Vonnegut: Reporter on the Afterlife Fountainhead Transmedia, Inc. Could death be a quality? A place? Not an ending, but an occurrence that changes those it happens to?In Kurt Vonnegut: Reporter on the Afterlife, Vonnegut skips back and forth between life and the Afterlife as if the difference between them were rather slight. In light hearted interviews with Sir Issac Newton, Adolf Hitler, Isaac Asimov, Mary Wollstonecraft Shelley, William Shakespeare, Joan of Arc, and Kilgore Trout, among others - Vonnegut trips down “the blue tunnel to the pearly gates” in the guise of a roving reporter for public radio, all the while dodging the crotchety bureaucrat, Saint Peter.Kurt Vonnegut: Reporter on the Afterlife, began in 1999 as a series of 90 Second interludes for WNYC, New York City’s public radio station. It has evolved over the past 25 years through writing and rewriting, into a fiction podcast adventure series - available everywhere you listen to pods.This provocat Psychological Reading Club luguosong adventure:Angel of the Revolution By: George Griffith (1857-1906)Dorothy Dale In The City By: Margaret PenroseMystery of the Secret Band By: Edith Lavell (1892-1957)Arizona Callahan By: H. Bedford-Jones (1887-1949)Mysteries of London Vol. II By: George W. M. Reynolds (1814-1879)Last Rebel By: Joseph A. Altsheler (1862-1919)Doctor Syn By: Russell Thorndike (1885-1972)Chicago Princess By: Robert Barr (1849-1912)Tales from the Works of G.A.Henty By: G. A. Henty (1832-1902)Bill Biddon, Trapper By: Edward S. Ellis (1840-1916)We Were There at the Normandy Invasion By: Clayton Knight (1891-1969)Cripps the Carrier By: Richard Doddridge Blackmore (1825-1900)Billy Whiskers Out for Fun By: Frances Trego Montgomery (1858-1925)Countdown By: Kurt Becker. S. J. (1915-2010)Forged Note: A Romance of the Darker Races By: Oscar Micheaux (1884-1951)Double Crossed By: Wilfrid Douglas Newton (1884-1951)Plag Podside Picnic Pete and Connor Karlo, Kurt, Chris and Pete explore the literature of the fantastic, movies and everything between. Join us! Check us out on Patreon.com/PodsidePicnic for premium content. The Unofficial Shopify Podcast Kurt Elster, Paul Reda NEW EPISODES EVERY TUESDAY, SUBSCRIBE FOR UNBEATABLE ECOM RECON – Every Tuesday since 2014, host Kurt Elster shares the Shopify success stories that nobody tells you about, straight from the entrepreneurs living it. Subscribe for a raw look at what it really takes to succeed on Shopify.

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This episode is 5 minutes long.

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This episode was published on September 7, 2003.

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Man, mastering this one was tricky, with how low its overall sound was, and the bass drum being the loudest part of the entire song, this is probably the biggest bass cut I've had to perform on any song so far to help level it all out. The vocals...

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