Lenise Bent

from Inside MusiCast · host Rick Such

When Lenise Bent entered the L.A. audio engineering scene in the late ‘70s, she didn’t mind that it was primarily a male dominated industry. Through a chance meeting with Leon Russell at his home studio, she was swept away with the studio atmosphere, the sound, and it was her curiosity about the recording console and gear that captured her spirit and sent her down the path of becoming a recording engineer. She was determined to work with the best equipment, the best studios, and the best musicians. And she did. She’s credited on some of the best sounding albums that were ever recorded, including Steely Dan’s “Aja”, Supertramp’s “Breakfast In America”, Marc Jordan’s “Mannequin”, Blondie's “Autoamerican”, and “Tusk” by Fleetwood Mac, just to name a few.  Here to discuss her incredible journey as a pioneering audio engineer is none other than Lenise Bent.

What this episode covers

When Lenise Bent entered the L.A. audio engineering scene in the late ‘70s, she didn’t mind that it was primarily a male dominated industry. Through a chance meeting with Leon Russell at his home studio, she was swept away with the studio atmosphere, the sound, and it was her curiosity about the recording console and gear that captured her spirit and sent her down the path of becoming a recording engineer. She was determined to work with the best equipment, the best studios, and the best musicians. And she did. She’s credited on some of the best sounding albums that were ever recorded, including Steely Dan’s “Aja”, Supertramp’s “Breakfast In America”, Marc Jordan’s “Mannequin”, Blondie's “Autoamerican”, and “Tusk” by Fleetwood Mac, just to name a few. Here to discuss her incredible journey as a pioneering audio engineer is none other than Lenise Bent.

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Lenise Bent

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This episode is 1 hour and 27 minutes long.

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This episode was published on January 28, 2026.

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