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Lynne Taylor-Corbett

Lynne Taylor-Corbett

An episode of the ATW - SDCF Masters of the Stage podcast, hosted by American Theatre Wing and SDCF, titled "Lynne Taylor-Corbett" was published on November 19, 2009 and runs 81 minutes.

November 19, 2009 ·81m · ATW - SDCF Masters of the Stage

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In this discussion with Director-Choreographer Lynne Taylor-Corbett in February of 2000, listen to a two-time Tony nominee share her research into the complex history and techniques of competitive swing dance. She tells about the improvisation and experimentation involved during her workshop process to adapt this dance form for the Broadway stage in the 1999 production of "Swing!" We also get a glimpse of the stories that influenced her career; from her first encounter with a professional dancer in her hometown of Denver that propelled her to New York, to her work touring Africa and the Middle East with the Alvin Ailey Dance Company, as well as her first Broadway experiences choreographing "Chess" and "Titanic". She explains how she built her career from the joy she feels for the theatre audience's enthusiasm for watching dance. This ninety minute interview ends with a frank discussion of the Director-Choreographer relationship, in which she describes the best collaboration as being a fluid, non-threatened relationship built on trust. This insight into the life of an undeniably talented theatre maker is a revealing glimpse into the strengths and struggles of a working Director-Choreographer, which should command the respect of any theatre professional.

In this discussion with Director-Choreographer Lynne Taylor-Corbett in February of 2000, listen to a two-time Tony nominee share her research into the complex history and techniques of competitive swing dance. She tells about the improvisation and experimentation involved during her workshop process to adapt this dance form for the Broadway stage in the 1999 production of "Swing!" We also get a glimpse of the stories that influenced her career; from her first encounter with a professional dancer in her hometown of Denver that propelled her to New York, to her work touring Africa and the Middle East with the Alvin Ailey Dance Company, as well as her first Broadway experiences choreographing "Chess" and "Titanic". She explains how she built her career from the joy she feels for the theatre audience's enthusiasm for watching dance. This ninety minute interview ends with a frank discussion of the Director-Choreographer relationship, in which she describes the best collaboration as being a fluid, non-threatened relationship built on trust. This insight into the life of an undeniably talented theatre maker is a revealing glimpse into the strengths and struggles of a working Director-Choreographer, which should command the respect of any theatre professional.
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