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Martha Wells, “Rogue Protocol: The Murderbot Diaries” (Tor, 2018)

The “artificial” in artificial intelligence is easy to understand. But the meaning of “intelligence” is harder to define. How smart can an A.I. get? Can it teach itself, change its programming, become independent? Can it outfox its human inventors,

An episode of the New Books in Science Fiction podcast, hosted by New Books Network, titled "Martha Wells, “Rogue Protocol: The Murderbot Diaries” (Tor, 2018)" was published on August 2, 2018 and runs 35 minutes.

August 2, 2018 ·35m · New Books in Science Fiction

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The “artificial” in artificial intelligence is easy to understand. But the meaning of “intelligence” is harder to define. How smart can an A.I. get? Can it teach itself, change its programming, become independent? Can it outfox its human inventors, be guided by self-interest, have feelings? While companies like Google and Facebook are competing to develop A.I. technology, science fiction writers are light years ahead of them, finding answers to these questions in their imaginations. One of the most engaging A.I.s in recent years is Martha Wells’ Murderbot, a people-averse, soap-opera loving, snark-spewing and highly efficient killing machine. The first book in Wells’ Murderbot Diaries, All Systems Red, earned numerous honors this year, including Nebula and Locus awards. It also made the short list for the Philip K. Dick and Hugo awards. The second and third books—Artificial Condition, which came out in May, and Rogue Protocol, out next week on Aug. 7—are equally engaging, taking Murderbot on a journey of self discovery that one hopes will eventually allow it a chance to retire from the business of saving human lives and spend its days watching its beloved “entertainment media” in peace. “Does it have a place in this world?” is the question at the back of its mind, Wells says. “It can’t go back to its corporate owner, which would destroy or erase it for going rogue; and it’s not sure it wants to go to a human who is offering it a home because it would still essentially be property.” Despite its name, Murderbot is only murderous when work requires it. As it says on the first page of All Systems Red, “As a heartless killing machine, I was a terrible failure.” Thus, even though it could seek revenge against its human taskmasters, try to amass power or wreak havoc (since it has “borked” the programs that restrain its behavior), it voluntarily elects to continue performing the function for which it was designed—providing security to “small soft” humans. Why it so often says “yes” to a dangerous assignment when it really wants to hide in a closet is as much a mystery to it as our motivations are to us. Perhaps all forms of “intelligence,” artificial or otherwise, could benefit from a few sessions on an analyst’s couch. Wells has incorporated aspects of herself in Murderbot, a fact that resonates with readers. “I have some problems with anxiety and OCD and I’ve put those into the character… and one of the interesting things that’s happened is that people who also have bad anxiety and have other issues say that they saw themselves in this character and that was heartwarming to me.” The final book in the series of novellas, Exit Strategy, is due out in October. Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction

The “artificial” in artificial intelligence is easy to understand. But the meaning of “intelligence” is harder to define. How smart can an A.I. get? Can it teach itself, change its programming, become independent? Can it outfox its human inventors, be guided by self-interest, have feelings? While companies like Google and Facebook are competing to develop A.I. technology, science fiction writers are light years ahead of them, finding answers to these questions in their imaginations. One of the most engaging A.I.s in recent years is Martha Wells’ Murderbot, a people-averse, soap-opera loving, snark-spewing and highly efficient killing machine. The first book in Wells’ Murderbot Diaries, All Systems Red, earned numerous honors this year, including Nebula and Locus awards. It also made the short list for the Philip K. Dick and Hugo awards. The second and third books—Artificial Condition, which came out in May, and Rogue Protocol, out next week on Aug. 7—are equally engaging, taking Murderbot on a journey of self discovery that one hopes will eventually allow it a chance to retire from the business of saving human lives and spend its days watching its beloved “entertainment media” in peace. “Does it have a place in this world?” is the question at the back of its mind, Wells says. “It can’t go back to its corporate owner, which would destroy or erase it for going rogue; and it’s not sure it wants to go to a human who is offering it a home because it would still essentially be property.” Despite its name, Murderbot is only murderous when work requires it. As it says on the first page of All Systems Red, “As a heartless killing machine, I was a terrible failure.” Thus, even though it could seek revenge against its human taskmasters, try to amass power or wreak havoc (since it has “borked” the programs that restrain its behavior), it voluntarily elects to continue performing the function for which it was designed—providing security to “small soft” humans. Why it so often says “yes” to a dangerous assignment when it really wants to hide in a closet is as much a mystery to it as our motivations are to us. Perhaps all forms of “intelligence,” artificial or otherwise, could benefit from a few sessions on an analyst’s couch. Wells has incorporated aspects of herself in Murderbot, a fact that resonates with readers. “I have some problems with anxiety and OCD and I’ve put those into the character… and one of the interesting things that’s happened is that people who also have bad anxiety and have other issues say that they saw themselves in this character and that was heartwarming to me.” The final book in the series of novellas, Exit Strategy, is due out in October. Rob Wolf is the host of New Books in Science Fiction and the author of The Alternate Universe. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction
Mur Lafferty – Rob Wolf Writer & Host of New Books in Science Fiction Flatland: A Romance of Many Dimensions Edwin A. Abbott With wry humor and penetrating satire, Flatland takes us on a mind-expanding journey into a different world to give us a new vision of our own. A. Square, the slightly befuddled narrator, is born into a place limited to two dimensions--irrevocably flat--and peopled by a hierarchy of geometrical forms. In a Gulliver-like tour of his bizarre homeland, A. Square spins a fascinating tale of domestic drama and political turmoil, from sex among consenting triangles to the intentional subjugation of Flatland's females. He tells of visits to Lineland, the world of one dimension, and Pointland, the world of no dimension. But when A. Square dares to speak openly of a third, or even a fourth, dimension, his tragic fate climaxes a brilliant parody of Victorian society. An underground favorite since its publication in England in1884, Flatland is as prophetic a science fiction classic as the works of H. G. Wells, introducing aspects of relativity and hyperspace years before Einstein's famous theorie The Damnation of Theron Ware by Harold Frederic Loyal Books The Damnation of Theron Ware (published in England as Illumination) is an 1896 novel by American author Harold Frederic. It is widely considered a classic of American realism. The novel reveals a great deal about turn-of-the-century provincial America, religious life, and the depressed state of intellectual and artistic culture in small towns.The novel centers on the life of a Methodist pastor named Theron Ware who has recently moved to a fictional small town in the Adirondack Mountains of upstate New York, which Frederic modeled after Utica, New York. A promising young pastor recently married, Theron has a number of experiences that cause him to begin to question the Methodist religion, his role as a priest and even the very existence of God. His moral decline (or illumination) is heightened through his dealings with Father Forbes, the town's Catholic priest; Dr. Ledsmar, a local atheist, philosopher, and man of science; and Celia, a local Irish Catholic girl, a species of aesthete, w New Books in Critical Theory Marshall Poe This podcast is a channel on the New Books Network. The New Books Network is an academic audio library dedicated to public education. In each episode you will hear scholars discuss their recently published research with another expert in their field.Discover our 150+ channels and browse our 28,000+ episodes on our website: ⁠newbooksnetwork.com⁠Subscribe to our free weekly Substack newsletter to get informative, engaging content straight to your inbox: ⁠https://newbooksnetwork.substack.com/⁠Follow us on Instagram and Bluesky to learn about more our latest interviews: @newbooksnetworkSupport our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/critical-theory
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