EPISODE · Sep 29, 2016 · 2H 3M
O YE DRYBONES : Welcomes Cuban Hip - Hop Artist David D. Omni / Debate Recap2016
from O YE DRYBONES (FEB 2019 - JAN 2025) · host DRYBONES
HAVANA, Cuba.- The rise and spread of Cuban Hip Hop movement is a process that begins in the 2000s; a lyrical revolution driven by bold speeches managed to cross the countercultural field that also demanded questioning (his) reality, and consume different letters to wobble hips orchestrated by the "timba brava" that became very popular in the nineties. This baptism of fire, marginalized radio and television, was founded in an act of cultural resistance that suffered casualties sensitive since its gestation.That move was expanded from Alamar Festival (promoted by Rodolfo forgotten Rensoli) to Barbaram club, Nuevo Vedado and also Miami Cuban soul foundation. PT2.“The fact is you don’t get a vote on automation, on whether there’s going to be a new generation of computers or robots that might replace your job. You don’t really get a vote on globalization. It’s a factor of the containerization of shipping, the spread of broadband, the integration of economies like China and Eastern Europe that used to be closed and are now part of the global economy.You do get a vote on trade agreements. So trade agreements become the vessel into which people pour their very legitimate concerns about job security, wage stagnation and income inequality.”A paper is being released in advance of the September 28 Council on Foreign Relations “Symposium on the Future of U.S. Trade Policy” in Washington, in which trade leaders like former U.S. Trade Representative Robert Zoellick, House Ways and Means ranking member Sander Levin (D-MI) and General Electric chief executive Jeff Immelt will talk about what has gone wrong and strategies for the future.Become a supporter of this podcast: https://www.spreaker.com/podcast/o-ye-drybones-archive--6500709/support.
What this episode covers
HAVANA, Cuba.- The rise and spread of Cuban Hip Hop movement is a process that begins in the 2000s; a lyrical revolution driven by bold speeches managed to cross the countercultural field that also demanded questioning (his) reality, and consume different letters to wobble hips orchestrated by the "timba brava" that became very popular in the nineties. This baptism of fire, marginalized radio and television, was founded in an act of cultural resistance that suffered casualties sensitive since its gestation.That move was expanded from Alamar Festival (promoted by Rodolfo forgotten Rensoli) to Barbaram club, Nuevo Vedado and also Miami Cuban soul foundation. PT2.“The fact is you don’t get a vote on automation, on whether there’s going to be a new generation of computers or robots that might replace your job. You don’t really get a vote on globalization. It’s a factor of the containerization of shipping, the spread of broadband, the integration of economies like China and Eastern Europe that used to be closed and are now part of the global economy.You do get a vote on trade agreements. So trade agreements become the vessel into which people pour their very legitimate concerns about job security, wage stagnation and income inequality.”A paper is being released in advance of the September 28 Council on Foreign Relations “Symposium on the Future of U.S. Trade Policy” in Washington, in which trade leaders like former U.S. Trade Representative Robert Zoellick, House Ways and Means ranking member Sander Levin (D-MI) and General Electric chief executive Jeff Immelt will talk about what has gone wrong and strategies for the future.Become a supporter of this podcast: https://www.spreaker.com/podcast/o-ye-drybones-archive--6500709/support.
NOW PLAYING
O YE DRYBONES : Welcomes Cuban Hip - Hop Artist David D. Omni / Debate Recap2016
No transcript for this episode yet
Similar Episodes
Jan 25, 2026 ·13m
Nov 29, 2025 ·50m
Oct 11, 2025 ·6m
Oct 4, 2025 ·9m
Sep 29, 2025 ·5m