Oak Savanna Suite

This is a free preview of a paid episode. To hear more, visit chadcrouch.substack.com I love oak trees. Here in the Pacific Northwest, our western forests are dominated by conifers, so oaks have something of an exotic look to my eye. It wasn’t always this way. Here in the Willamette Valley, oaks thrived in the rain shadow of the Coast Range. The entire 1.5 million hectare valley was not long ago dominated by native prairies and oak savannas. This is one of the most strongly human-modified ecoregions on the continent, with an estimated 99.5% decline of native prairies and oak savannas. Despite this devastating loss, the vegetation of this region and its history are fascinating, and the remaining remnants are often packed with rare and endemic species. (oneearth.org) In the last 175 years we have lost 98% of the oak savanna habitat here. (From: Rivers to Ridges Oak Habitat Flyer) It’s not lost on me that, just a 30 minute trip from my home, a 100 acre oak savanna on Sauvie Island is a pretty special place. Not just because it’s scarce habitat, but also because it’s very tranquil, buffered from road and city noise by placid lakes and distance. So we’re back, visiting Oak Island, the “island” within an island: This time I pointed my most sensitive mics (a Rode NT-1 stereo pair in ORTF placement) toward the long axis of the woodland, recording a detailed, spacious soundscape. One can walk around the margins of this woodland on the Oak Island Nature Trail, but there are actually no trails through it. It really preserves a sense of mystery about it, I have to say. You are an outsider looking in, here. Oak Savanna Suite is the second in a new series of more calm, more atmospheric, more classically ambient releases collected under the pseudonym artist name Listening Spot. As with the first release, Crane Lake Suite, Oak Savanna Suite is a group of self-contained instrumental movements of varying character in the same key. The instrumentation sounds vaguely orchestral, like a pastorale with flowing legato phrasing, but it’s less melodically rigid, and not built up with traditional orchestral instrument sounds. In fact, in the beginning it’s difficult to discern basic musical patterns: Meter is elastic, melodic phrases are indistinct and unrepeated, and the music barely rises above the soundscape. All this changes by degrees as the suite progresses. I hope you get to spend some quality time with it. If you enjoy it, please follow Listening Spot wherever you get your music, and consider sharing it with one other person. I’m heartened by the initial response, but also aware of the challenge of building momentum for a new thing, so I’m grateful for any support you can offer. Oak Savanna Suite is available on all streaming platforms (Spotify, Apple, Tidal, Amazon, YouTube…) tomorrow, Friday, November 8th.