Oak Savanna Suite episode artwork

EPISODE · Nov 7, 2024 · 4 MIN

Oak Savanna Suite

from Soundwalk · host Chad Crouch

This is a free preview of a paid episode. To hear more, visit chadcrouch.substack.comI love oak trees. Here in the Pacific Northwest, our western forests are dominated by conifers, so oaks have something of an exotic look to my eye. It wasn’t always this way. Here in the Willamette Valley, oaks thrived in the rain shadow of the Coast Range. The entire 1.5 million hectare valley was not long ago dominated by native prairies and oak savannas. This is one of the most strongly human-modified ecoregions on the continent, with an estimated 99.5% decline of native prairies and oak savannas. Despite this devastating loss, the vegetation of this region and its history are fascinating, and the remaining remnants are often packed with rare and endemic species. (oneearth.org)In the last 175 years we have lost 98% of the oak savanna habitat here.(From: Rivers to Ridges Oak Habitat Flyer)It’s not lost on me that, just a 30 minute trip from my home, a 100 acre oak savanna on Sauvie Island is a pretty special place. Not just because it’s scarce habitat, but also because it’s very tranquil, buffered from road and city noise by placid lakes and distance. So we’re back, visiting Oak Island, the “island” within an island:This time I pointed my most sensitive mics (a Rode NT-1 stereo pair in ORTF placement) toward the long axis of the woodland, recording a detailed, spacious soundscape. One can walk around the margins of this woodland on the Oak Island Nature Trail, but there are actually no trails through it. It really preserves a sense of mystery about it, I have to say. You are an outsider looking in, here.Oak Savanna Suite is the second in a new series of more calm, more atmospheric, more classically ambient releases collected under the pseudonym artist name Listening Spot. As with the first release, Crane Lake Suite, Oak Savanna Suite is a group of self-contained instrumental movements of varying character in the same key. The instrumentation sounds vaguely orchestral, like a pastorale with flowing legato phrasing, but it’s less melodically rigid, and not built up with traditional orchestral instrument sounds. In fact, in the beginning it’s difficult to discern basic musical patterns: Meter is elastic, melodic phrases are indistinct and unrepeated, and the music barely rises above the soundscape. All this changes by degrees as the suite progresses. I hope you get to spend some quality time with it.If you enjoy it, please follow Listening Spot wherever you get your music, and consider sharing it with one other person. I’m heartened by the initial response, but also aware of the challenge of building momentum for a new thing, so I’m grateful for any support you can offer.Oak Savanna Suite is available on all streaming platforms (Spotify, Apple, Tidal, Amazon, YouTube…) tomorrow, Friday, November 8th.

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漫聲SoundWalk 簡志宏(C.H Chien) 我是一名攝影愛好者,攝影10多年,拍的都是自己的記憶,幾年前,開始思索,留下記憶的方式只能是影像而已?透過不到一場關於聲音的講座,提醒了自己本來就有錄音的習慣,只是一直都沒很深入的去思考,自己為什麼錄音?該怎麼錄音?在哪裡錄音? 於是,在那天之後,我花了幾千塊買了一台專業的低階錄音設備Zoom H4n,開始記錄我覺得自己值得紀錄的聲音,這跟攝影一樣,也會是我記憶的一部分,希望也可以成為你記憶的一部分 在這個頻道的聲音,我最建議的聆聽方式,就是請您閉上眼睛,心無旁鶩的感受,你會感受到最棒最真實,屬於你自己的單純 在podcast之前,我把錄音上傳至Youtube,歡迎各位收聽 YT連結 : https://goo.gl/yhRz2i 如果,您也認同我記錄的聲音,歡迎點擊以下連結您小額贊助,讓我更有能力去更多的地方紀錄及分享更多聲音,感恩您的收聽!! https://pay.firstory.me/user/soundwalk Powered by Firstory Hosting 在无锡荡马路 是小脑呀 《荡马路》是由小脑和旧馆长发起的一个社会声音艺术项目。*我们想记录无锡这个城市的文化和人。“你带我荡马路,我听你讲故事”是《荡马路》的slogan。*SoundWalk的形式是指:录音师和漫步者两人共同从漫步者熟悉的地方出发,漫步者边走边讲述,录音师进行收声记录。*我们目前在做的是荡马路第一张音频专辑。*我们定了一个小目标,在这张专辑中邀请100位漫步者录制100段录音。其中包含每段录音的行走线路图、摄影作品、录音脚本、以及普通话文本。*漫步者故事收录完成后,不是这个项目的终点,我们希望这只是一个引子,通过这些内容能够吸引到更多同好之人参与进来。我们希望有更独特的人参与其中,他们会让这个项目变得越来越有趣。*漫步者的故事折射了故事发生地的文化以及整个无锡的文化,这些深度私人的故事拉近了听众和这座城市的距离,以一种更亲近的方式将我们和这座城市连接。*无锡只是我们的起点,如果有可能,我们想为更多的城市做这件有意义的事情。我们欢迎你的报名参与。<b SongWalk Echoes Podcast Don Prisby A Catholic podcast featuring SoundWalk Echoes founder, author, and songwriter Don Prisby and guests celebrating Catholic legacy through music, art, scripture, and story. Saltwater Soundwalk Jenny Asarnow & Rachel Lam Saltwater Soundwalk is about our relationships and responsibilities towards the Salish Sea and connecting waters, centering Indigenous Coast Salish voices and language. In this rhythmic, watery audio experience, streams of stories ebb and flow, intermixing English with Coast Salish languages. Listen to learn where the traditional fishing ground “Hit the Water” is located in Seattle, to hear traditional Tulalip names of local places and to learn about the colonial history of Seattle and the construction of the Ship Canal. Indigenous rights, responsibilities and cultural preservation are essential to healing these waters, our relationship to them and to each other. As well, hear from a public artist and a Seattle Public Utilities manager about how we all impact these living waters. This is an experience for all of us to connect to the Salish Sea area, and a step towards creating healthier human relationships with this changing ecosystem. Voices featured are: Ken Workman (Duwamish), W

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This episode was published on November 7, 2024.

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This is a free preview of a paid episode. To hear more, visit chadcrouch.substack.comI love oak trees. Here in the Pacific Northwest, our western forests are dominated by conifers, so oaks have something of an exotic look to my eye. It wasn’t...

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