Only Three Lads: '80s Post-Punk Band Afterimage - Top 5 Perfect Album Sides episode artwork

EPISODE · May 20, 2025 · 1H 50M

Only Three Lads: '80s Post-Punk Band Afterimage - Top 5 Perfect Album Sides

from Pantheon - Podcasts for Music Lovers · host Pantheon Media

We recently covered the topic of "all killer, no filler" albums, but what about the perfect single side of a record? If the physical time and space limitations of a vinyl LP or a cassette must exist, why not do something compelling? Is it all poppycock...or cockypop?!? You make the call! Our Third Lad for this exploration is frontman/saxophonist/multi-instrumentalist Dan Voznick, aka Alec Tension from underground '80s post-punk band Afterimage. Referred to in the Los Angeles Times as "LA's Joy Division" back in the day, Afterimage created a sound that was hypnotic, skittery and chilly, but is also adventurous, playful and complex. The original lineup of the band (Alec Tension, A Produce, Rich Evac and Holland DeNuzzio) only stayed together for a couple of years and released a scant discography of one single ("Strange Confession"/"The Long Walk") and an EP (Fade In), both in 1981. Those original recordings, plus a generous helping of unreleased demos and live tracks, are now available from Independent Project Records on the new retrospective compilation Faces to Hide. Out now on double LP (available in both black and opaque white), special edition CD and digital formats, Faces to Hide proves as scathing, urgent, taut, angular and gripping as Afterimage’s scarce but unforgettable output must have sounded more than forty years ago. Packaged with extensive, career-spanning liner notes by noted journalist Richie Unterberger and previously unseen band photos, Faces to Hide also features Independent Project Records’ signature hand letterpress-printed custom design for the vinyl and CD packaging.  Thanks to Josh Mills from It's Alive Media for the introduction and coordination! Proud members of the Pantheon Podcasts network. Learn more about your ad choices. Visit megaphone.fm/adchoices

We recently covered the topic of "all killer, no filler" albums, but what about the perfect single side of a record? If the physical time and space limitations of a vinyl LP or a cassette must exist, why not do something compelling? Is it all poppycock...or cockypop?!? You make the call! Our Third Lad for this exploration is frontman/saxophonist/multi-instrumentalist Dan Voznick, aka Alec Tension from underground '80s post-punk band Afterimage. Referred to in the Los Angeles Times as "LA's Joy Division" back in the day, Afterimage created a sound that was hypnotic, skittery and chilly, but is also adventurous, playful and complex. The original lineup of the band (Alec Tension, A Produce, Rich Evac and Holland DeNuzzio) only stayed together for a couple of years and released a scant discography of one single ("Strange Confession"/"The Long Walk") and an EP (Fade In), both in 1981. Those original recordings, plus a generous helping of unreleased demos and live tracks, are now available from Independent Project Records on the new retrospective compilation Faces to Hide. Out now on double LP (available in both black and opaque white), special edition CD and digital formats, Faces to Hide proves as scathing, urgent, taut, angular and gripping as Afterimage’s scarce but unforgettable output must have sounded more than forty years ago. Packaged with extensive, career-spanning liner notes by noted journalist Richie Unterberger and previously unseen band photos, Faces to Hide also features Independent Project Records’ signature hand letterpress-printed custom design for the vinyl and CD packaging.  Thanks to Josh Mills from It's Alive Media for the introduction and coordination! Proud members of the Pantheon Podcasts network. Learn more about your ad choices. Visit megaphone.fm/adchoices

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Only Three Lads: '80s Post-Punk Band Afterimage - Top 5 Perfect Album Sides

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This episode was published on May 20, 2025.

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We recently covered the topic of "all killer, no filler" albums, but what about the perfect single side of a record? If the physical time and space limitations of a vinyl LP or a cassette must exist, why not do something compelling? Is it all...

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