EPISODE · May 22, 2026 · 4 MIN
Perro de Agua
from Folcore Records · host Folcore Records
About El Bochinche Bochinche: mess, commotion, uproar, excessive noise, scandal, disorder. "El Bochinche" is a follow-up to Candeleros' previous EP, "El Bululú". The cover artwork, created by Bogotá-based artist SOMA (Laura Ortiz), captures with a unique sensitivity the life, colors, and energy of the street. Two perspectives of the same place — day and night / El Bululú and El Bochinche— inspired by Lavapiés, the neighborhood where we first met: a space shaped by diversity, gentrification, and struggle, but also by community, love, and resistance. The EP is a small portrait of that constant tension between what changes and what endures. “Se Va Volando” features the vocals of Desiré Paredes and a contribution from Afro Libertad on the culo e’ puya drums. The piece is based on a traditional Fulia song by Ana Josefa Uribe and is interwoven with a Spanish-language work song, creating a bridge between territories and memories. “Perro de Agua” is inspired by an indigenous Venezuelan song from the Guaibo community, incorporating elements such as the quitiplás, an Afro-Venezuelan percussion instrument from the Barlovento region. Includes remixes by Phran and Pirámida.
What this episode covers
About El Bochinche Bochinche: mess, commotion, uproar, excessive noise, scandal, disorder. "El Bochinche" is a follow-up to Candeleros' previous EP, "El Bululú". The cover artwork, created by Bogotá-based artist SOMA (Laura Ortiz), captures with a unique sensitivity the life, colors, and energy of the street. Two perspectives of the same place — day and night / El Bululú and El Bochinche— inspired by Lavapiés, the neighborhood where we first met: a space shaped by diversity, gentrification, and struggle, but also by community, love, and resistance. The EP is a small portrait of that constant tension between what changes and what endures. “Se Va Volando” features the vocals of Desiré Paredes and a contribution from Afro Libertad on the culo e’ puya drums. The piece is based on a traditional Fulia song by Ana Josefa Uribe and is interwoven with a Spanish-language work song, creating a bridge between territories and memories. “Perro de Agua” is inspired by an indigenous Venezuelan song from the Guaibo community, incorporating elements such as the quitiplás, an Afro-Venezuelan percussion instrument from the Barlovento region. Includes remixes by Phran and Pirámida.
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Perro de Agua
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