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Pop Frequency con Frisia Macin 23 de abril 2019

An episode of the Pop Frequency con Frisia Macin podcast, hosted by Frisia Angélica Macin Mingramm, titled "Pop Frequency con Frisia Macin 23 de abril 2019" was published on April 23, 2019 and runs 21 minutes.

April 23, 2019 ·21m · Pop Frequency con Frisia Macin

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Pop Frequency es un programa que reune lo mejor de la semana, del contenido viral de las redes sociales y del entretenimiento. Conducido y producido por Frisia Macin Mingramm. @FrisiaMacin Programa 1 Pop Frequency. ¡Bienvenido a este nuevo viaje por la cultura Pop!
J.All J.All J.All, Pseudonimo di Pier Giorgio Pizzoli.Compositore Autore Produttore: Chitarra - Basso - Voce.Genere: Pop - Rock - Jazz.Sin da giovane negli ani 80' Pier iniziò a scrivere canzoni e testi, esibendosi con una Rock Band, locale gli Es Kiss che in dialetto locale vuol dire "Eccoli Qua".La sua formazione musicale avviene gradualmente negli anni.Nel 1990, studia il setticlavio e le basi di composizione armonica con il Maestro Luciano Micaroni.Nel 1993, tiene l’esame di compositore melodista a Roma.Nel 1994, frequenta l’Accademia Musicale Pescarese, perfezionando le tecniche di composizione.Studia informatica si specializza in sistemi e sicurezza.Pier torna dopo diversi anni, nel 2010 con le proprie produzioni.Sceglie il pseudonimo di J.All, abbreviazione di Jack (J) e All.Jack è il nome con cui chiamava allo stesso modo tutti i membri della band e da qui deriva il suo soprannome.All, invece è parte del suo carattere eccentrico, preciso, pignolo nel realizzare tutti i sui prog Sound Off with Katy Henriksen Critical Frequency Sound Off with Katy Henriksen features in-depth conversations about music that challenges the status quo—hybrid sounds that fall through the cracks because they aren't easily labeled. Whether it's a classical flute-and-electronic music project that takes on police brutality and race, or a mix of poetry, pop and chamber music, Sound Off explores creativity at the intersection of art, music, and literature, and digs into what that work and the people making it tell us about art and life in the 21st century.    The Clappers Nearly Your weekly guide to pop culture in Australia. Mostly the fun bits. Karl Quinn is an entertainament writer for The Age and Sydney Morning Herald; Andrew Young is a musician, DJ, pedagogue and all-round man-about-town. Together they are The Clappers, and together they present this always-on-the-pulse and frequently hilarious look at culture high and low. If it's happening in film, TV, books, galleries - and let's not forget cycling - there's a 50-50 chance it's happening on The Clappers. Maybe even 60-40. Tune in, turn on, but don't drop out. Find us at https://podfollow.com/1256873572/viewJoin us at https://www.facebook.com/groups/theclapperspodcast/Follow karl's journalism at https://www.facebook.com/karlquinnjournalist/Produced by Nearly Media https://www.nearly.com.au/ Dash Machete Dash Machete Who's the sharpest of them all?Bringing house elements to a classic hip-hop recipe, Dash Machete's sound is both familiar and unique. Her sharp punchlines, soul-lifting vocals, and hip-hop percussions are reminiscent of Sade, Azealia Banks, and Doja Cat. The radiant Caribbean vibe frequently woven into her songs distinguishes her music from several of her R&B/Hiphop counterparts. Growing up, Dash heard everything from Kelis, to The Beatles to disco in her home. Later being introduced to Lauryn Hill. In her 2017 ‘Jigsaw’ EP, Dash Machete illustrates the journey of artistry and finding her way through music. The whimsical flutes, airy violins, and vibrant piano chords go hand in hand with pop-R&B and hip-hop vibes. In her latest performance on W20’s platform, she leans into a more pop performance of the fierce and vulnerable single “Canvas”. It’s not often you see such range and dynamics from emerging artists, but it’s safe to say the world’s a better place with Dash sharing her music
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