Preston Island Soundwalk episode artwork

EPISODE · Feb 21, 2025 · 32 MIN

Preston Island Soundwalk

from Soundwalk · host Chad Crouch

I haven’t yet said this, but my intention with this and the previous three recordings was a hopscotch survey of Pacific Coast soundscapes. To recollect now, these have been Yoakam Point on the Oregon Coast, Copalis Ghost Forest on the Washington Coast, Keahou on the Big Island of Hawaii and now Preston Island in Crescent City, on the Northern California Coast.This reflection on Preston Island leads me to ponder sites along the lower Columbia River at length, for reasons which will soon reveal themselves.Preston Island is weird. For starters, it’s not what anyone would call an island. You can walk right out onto its strange rocky surface from the mainland. The view from the island is breathtaking though, and I thought it made a better album cover than the island itself: The island is relatively flat, but also boulder-strewn and cracked. When I visited, it was foggy, and I felt like I was on the surface of another planet. Something about it seemed unnatural:It all clicked when I found this historical photo:Preston Island was carted off. It was mined down to a nub. Let’s get our bearings. Here’s an 1880’s Crescent City map, and a modern satellite photo. (I guess cardinal north pointing up wasn’t yet the rule.)On the map you’ll see Preston Island clearly drawn as a landmass, and Hall’s Bluff, appearing much less prominently than it does today. I outlined the locations on the satellite image. Here, all the rock contained in those geographical features was mined and dumped in the ocean to create the jetty you see on the upper right of the satellite image. They really moved mountains.This is what Preston Island used to look like, and here it is today, courtesy of Google Street View:Our soundwalk takes us from West 5th Street in Crescent City, over to the beach and up over what’s now called Half Butte, to about where this old photo of Hall’s Bluff (aka Lover’s Rock) was taken in 1876. Look at the tiny figures on top for a sense of scale:The massive Lover’s Rock headland, was also carted off to build the jetty. It’s harder to match the original photo vantage point with Street View, but it’s also just completely gone. But let’s get back to Preston Island, that weird scab-land of a place. Let’s take a closer look at it, because it gives our soundwalk such unique character about 17 minutes in. At a glance, it seems lifeless. A green hue, coming from chalky veins in the rock, adds to the otherworldliness of the landscape.Tide pools form on the perimeter, among the cracks and fissures in the rock substrate. It’s here that I place my recording hat down and the soundscape is instantly transformed. The skitter of crabs and the capillary clicking sounds of tiny shellfish erupt to fill the high frequencies, while the surf sound is attenuated by the topography of the rocks.It’s another world. A 2021 article in the Bandon Western World states, “Preston Island has a long history in Crescent City. Originally Preston Peak, the area was a sacred site for the Tolowa Nation.” It is not well known, but the Tolowa were the subject of the most persistent and possibly worst massacres of Native Americans in the USA, starting in 1853, in the Crescent City area. Now, I couldn’t corroborate the name “Preston Peak”, but I have to admit I was not surprised to hear that a sacred place to Native Americans was destroyed. There have been others.Pillar RockConsider Pillar Rock (briefly “Pilot Rock”) in the Columbia River. Once a monolith upwards of 75 feet tall, it was dynamited and flattened at the 25 foot level to install a navigation light:The Chinookan name for the monolith was Talapus. A cannery built nearby in 1877 used a likeness similar to Talapus for its canned salmon label, Pillar Rock brand. The rock was dynamited by 1922 when, according to the shipping news, a red navigation light was established. Like Talapus, the spring Chinook fishery in the Columbia was a diminished remnant of what it once was when Pillar Rock Cannery suspended operations in 1947.In a surprising epilogue Pillar Rock is still an actively used trade mark today, in 2025. The company now fishes the waters of Alaska for wild Sockeye to fill the modern day tins.It’s remarkable how Euro-Americans changed the landscape and practically wiped out the fishery, but the brand is the thing that perseveres. What does it say about us that this is the way things are?Let’s consider the intriguing story of Mount Coffin, up the Columbia River about 40 river miles.Mount CoffinThe geological feature that was first described to the historical record by Lieutenant William R. Broughton in 1792, and given the name “Mount Coffin”, was a Chinookan canoe burial ground. It would have appeared much the same a half century later, when Charles Wilkes visited in 1841, but quite different than the 1900 image above. Imagine, if you will, thousands of dugout cedar canoes perched in the trees on the prominent outcrop, about five feet above ground, in varying states of decay, all with bows pointed more or less toward the ocean. Within these canoes lay the interned bodies of Chinookans of the Skilloot tribe, wrapped in cedar blankets with their belongings placed beside them. That scene came to a swift end in 1841.The U.S. Exploring Expedition, led by Charles Wilkes, camped on Mount Coffin in 1841. When the men accidentally let a campfire spread, it destroyed an estimated 3,000 burial canoes. The Chinookan Indians were distressed to discover that their burial site had been destroyed by the negligence of whites and, according to visiting artist Paul Kane, “would no doubt have sought revenge had they felt themselves strong enough to do so.” (Stealing from The Dead, Oregon Historical Quarterly)Many Upper Chinookan villages were by 1841 entirely depopulated following devastating waves of malaria in the early 1830’s, so Paul Kane’s observation rings true.Within a century this lowland was completely transformed. The largest lumber mill in the world was built upriver from Mount Coffin.Mount Coffin was completely dynamited and quarried, beginning in 1929. The site is a now home to a chemical plant. Flat as a pancake.Finally let’s consider the monolith in the heart of the Columbia Gorge that few realize barely escaped dynamite. So we are told…Beacon RockTo the natives it was Che-che-op-tin. When Lewis & Clark mapped the area in 1805 it was referred to as “Beaten Rock” and on return a year later “Beacon Rock”. Later, the 1841 Wilkes Exploring Expedition labelled it “Castle Rock”, which stuck for the better part of a century. Since 1916, it’s been Beacon Rock.Just west of Beacon Rock was a large village Captain Lewis in 1806 called Wah-clel-lah (a Watlala winter village):This village appears to be the winter station of the Wah-clel-lahs and Clahclellars…14 houses remain entire but are at this time but thinly inhabited, nine others appear to have been lately removed, and the traces of ten or twelve others of ancient date were to be seen in the rear of their present village. There was also another village at the very foot of beacon rock. Traces of it remained visible to the trained eye into the 1950’s.“BIG BLAST WILL WRECK IT”“Castle Rock to Go” and “Whole Rock is Doomed” read the subheadings in a March 16th, 1906 article in The Oregonian. The article outlined how the owners, a coterie of eight businessmen including Dan Kerns, acting as the Columbia Construction Company, had already cut three 20 to 30 ft. tunnels under the southern aspect of the monolith in preparations to dynamite “the shoulder” of the rock and quarry the stone for building material, eventually removing it entirely. A Wikipedia entry states (without citation), “The United States Army Corps of Engineers planned to destroy the rock to supply material for the jetty at the mouth of the Columbia.” This appears to be incorrect. The Army Corps didn’t have that plan. The Columbia Construction Company purported to have a plan to mine an initial two million tons for building material (possibly to include jetty material—there were no contracts) in 1906. Columbia jetty work began 20 years prior to that. The Columbia Construction Company was taken to court, and a jury sided with Portland & Seattle Railway, who argued the tunnels were part of an elaborate ruse to “claim damages from $100,000 to $500,000” from lost mining activity due to the rail line going through their intended quarry site. According to the plaintiffs, it was just a scheme to get the railway to pay dearly for the right of way. The jurors dashed that plan, stipulating a $5000 settlement. Was it an elaborate ruse? Or was the jury predisposed not to trust city businessmen? What was clear, according to The Oregonian, was that, “clergymen, leading citizens, women, teachers, and all classes in Portland and throughout the state were horrified as the proposed destruction of such a majestic landmark.” “I should judge Castle Rock contains 10 million tons of first class building stone,” Kerns said in 1906. Interestingly, that wouldn’t have been enough for the massive Columbia jetty system, which ultimately required 13 million tons of rock, when competed in 1939, after half century of construction. Henry J. Biddle took ownership of Beacon Rock from the Columbia Construction Company in 1915, under the condition it would be preserved, and set about realizing his dream to build a trail to the summit.Henry J. Biddle purchased the rock in 1915 for $1 and during the next three years constructed a trail with 51 switchbacks, handrails and bridges. The three-quarter mile trail to the top, completed in April 1918, leads to views in all directions. (Wikipedia)Thanks for listening and reading. I’m thankful for your attention. Preston Island Soundwalk is available on all streaming platforms (Spotify, Apple, Tidal, Amazon, YouTube…) on Friday, February 21st.Thanks for reading Soundwalk! This post is public so feel free to share it. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chadcrouch.substack.com/subscribe

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漫聲SoundWalk 簡志宏(C.H Chien) 我是一名攝影愛好者,攝影10多年,拍的都是自己的記憶,幾年前,開始思索,留下記憶的方式只能是影像而已?透過不到一場關於聲音的講座,提醒了自己本來就有錄音的習慣,只是一直都沒很深入的去思考,自己為什麼錄音?該怎麼錄音?在哪裡錄音? 於是,在那天之後,我花了幾千塊買了一台專業的低階錄音設備Zoom H4n,開始記錄我覺得自己值得紀錄的聲音,這跟攝影一樣,也會是我記憶的一部分,希望也可以成為你記憶的一部分 在這個頻道的聲音,我最建議的聆聽方式,就是請您閉上眼睛,心無旁鶩的感受,你會感受到最棒最真實,屬於你自己的單純 在podcast之前,我把錄音上傳至Youtube,歡迎各位收聽 YT連結 : https://goo.gl/yhRz2i 如果,您也認同我記錄的聲音,歡迎點擊以下連結您小額贊助,讓我更有能力去更多的地方紀錄及分享更多聲音,感恩您的收聽!! https://pay.firstory.me/user/soundwalk Powered by Firstory Hosting 在无锡荡马路 是小脑呀 《荡马路》是由小脑和旧馆长发起的一个社会声音艺术项目。*我们想记录无锡这个城市的文化和人。“你带我荡马路,我听你讲故事”是《荡马路》的slogan。*SoundWalk的形式是指:录音师和漫步者两人共同从漫步者熟悉的地方出发,漫步者边走边讲述,录音师进行收声记录。*我们目前在做的是荡马路第一张音频专辑。*我们定了一个小目标,在这张专辑中邀请100位漫步者录制100段录音。其中包含每段录音的行走线路图、摄影作品、录音脚本、以及普通话文本。*漫步者故事收录完成后,不是这个项目的终点,我们希望这只是一个引子,通过这些内容能够吸引到更多同好之人参与进来。我们希望有更独特的人参与其中,他们会让这个项目变得越来越有趣。*漫步者的故事折射了故事发生地的文化以及整个无锡的文化,这些深度私人的故事拉近了听众和这座城市的距离,以一种更亲近的方式将我们和这座城市连接。*无锡只是我们的起点,如果有可能,我们想为更多的城市做这件有意义的事情。我们欢迎你的报名参与。<b SongWalk Echoes Podcast Don Prisby A Catholic podcast featuring SoundWalk Echoes founder, author, and songwriter Don Prisby and guests celebrating Catholic legacy through music, art, scripture, and story. Saltwater Soundwalk Jenny Asarnow & Rachel Lam Saltwater Soundwalk is about our relationships and responsibilities towards the Salish Sea and connecting waters, centering Indigenous Coast Salish voices and language. In this rhythmic, watery audio experience, streams of stories ebb and flow, intermixing English with Coast Salish languages. Listen to learn where the traditional fishing ground “Hit the Water” is located in Seattle, to hear traditional Tulalip names of local places and to learn about the colonial history of Seattle and the construction of the Ship Canal. Indigenous rights, responsibilities and cultural preservation are essential to healing these waters, our relationship to them and to each other. As well, hear from a public artist and a Seattle Public Utilities manager about how we all impact these living waters. This is an experience for all of us to connect to the Salish Sea area, and a step towards creating healthier human relationships with this changing ecosystem. Voices featured are: Ken Workman (Duwamish), W

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This episode was published on February 21, 2025.

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I haven’t yet said this, but my intention with this and the previous three recordings was a hopscotch survey of Pacific Coast soundscapes. To recollect now, these have been Yoakam Point on the Oregon Coast, Copalis Ghost Forest on the Washington...

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