Reed Canyon Rain Soundwalk episode artwork

EPISODE · Sep 19, 2024 · 32 MIN

Reed Canyon Rain Soundwalk

from Soundwalk · host Chad Crouch

And now we return to our soundwalk series on quiet spots in the city. This is part two of two. But before we get to that, I’d just like to take a minute to reflect on my journey to get here.On April 29, 2022 I released Chapman Beach Soundwalk. It was both extremely simple and, to me, experimental. It was, in a nutshell, a natural soundscape with musical soundtrack. I had no basis to believe that the idea would commercially viable, and to be honest, while it has shown promise, it hasn’t really caught on in a big way either. Still, I persuaded myself to keep doing it, as a practice. And so, here we are, two and a half years on, and we’ve come to soundwalk #50. Let me tell you, it is possible to be both proud and embarrassed at the same time. Proud because, well, fifty! Embarrassed because, well, you know—fifty. A string of 50 non-hits, if you will. At a good clip, too! So, for #50, we are rediscovering Reed Canyon, another “hidden” natural area near downtown Portland, Oregon. Type it into a mapping app, and it won’t know where to go. This is because is not a nature park and is not public land. It’s on the Reed College campus, and thankfully, the campus welcomes neighbors, near and far, who enjoy walking the trails that wind around the canyon’s lake shore and through a wetland environment on its east end. The canyon was formed by Crystal Springs, which erupts from the broad plane of inner SE Portland next to huddle of buildings forming the Reed College Campus. According to a historical overview, surveys indicate Reed Lake is the oldest naturally occurring lake in Portland. That’s not saying an awful lot, as Portland topography isn’t especially dotted with lakes. It also depends on where you draw the city limits, of course. If anything, the city has filled in most of the lakes it once had, alongside the Willamette and Columbia Rivers. Let’s go ahead and name those lakes, and when they were filled in, for posterity. I’d estimate Portland lost more than 75% of its total lake surface area in the last century. Historical Lakes of Portland, Oregon* Guild’s Lake c. 1913-1926* Kittridge & Doane Lakes c. 1930* Mud Lake c. 1930* Switzler’s Lake & Columbia Slough unnamed lakes c.1930* Ramsey Lake c. 1964* Mock’s Bottom c. 1980So, being able to walk around a natural lake in Portland anymore is a rare thing! And just to be clear, while the basin is natural, the Reed Lake water level has been maintained by a small dam built in 1929.This walk takes place on a drizzly leap year day—February 29th—of this past year. Winter and Spring are perhaps my favorite seasons here. Waterfowl motor around. Mallards, Buffleheads, Hooded Mergansers, Wigeon, Gadwall, and Canada Geese are all common visitors. Huge flocks of geese sometimes wheel overhead, attracted to the all-you-can-eat lawn buffet the campus provides just over the canyon rim. Songbirds sound so sweet here in this intimate and reverberant canyon; you can easily forget that there’s a city all around you.My composition features almost all solo performances of piano, unplugged Wurlitzer electric piano, a “soft clarinet” synth pad, and a “bottle” synth sound that I think sounds like droplets. Oh, and zither. All performed unrehearsed, warts and all. Why? Well, because, for now, it conveys what I want to convey; some alchemical expression forged in the naïveté—the grasping. Part of me thinks I’ll eventually work myself out of a job here. Meaning, my music will become by degrees more spare and quiet and adrift that eventually all that will be left is the natural soundscape.It reminds me of a trope of architecture writers that goes something like, “The design sought to blend seamlessly with the landscape.” It seems like four out of five articles in Dwell magazine used parade that one out. Meanwhile, walls of glass and rectilinear volumes were de rigueur. There’s a limit to the blending that can occur with that design language, and it’s far from “seamless”.When you boil it down, I think it’s pretty common to try and convince other people you are doing something thoughtfully, when really we’re all just kind of clunky. Nothing is seamless. So why try and convince? Embrace Your Clunkiness! I say.Anyway, thanks for reading. I hope you can spend some quiet time with Reed Canyon Soundwalk. Or better, head on over there in real life, if you can. It’s nice. You’ll like it.Reed Canyon Soundwalk is available on all streaming platforms (Spotify, Apple, Tidal, Amazon, YouTube…) Friday, September 20th. This is a public episode. If you'd like to discuss this with other subscribers or get access to bonus episodes, visit chadcrouch.substack.com/subscribe

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Reed Canyon Rain Soundwalk

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漫聲SoundWalk 簡志宏(C.H Chien) 我是一名攝影愛好者,攝影10多年,拍的都是自己的記憶,幾年前,開始思索,留下記憶的方式只能是影像而已?透過不到一場關於聲音的講座,提醒了自己本來就有錄音的習慣,只是一直都沒很深入的去思考,自己為什麼錄音?該怎麼錄音?在哪裡錄音? 於是,在那天之後,我花了幾千塊買了一台專業的低階錄音設備Zoom H4n,開始記錄我覺得自己值得紀錄的聲音,這跟攝影一樣,也會是我記憶的一部分,希望也可以成為你記憶的一部分 在這個頻道的聲音,我最建議的聆聽方式,就是請您閉上眼睛,心無旁鶩的感受,你會感受到最棒最真實,屬於你自己的單純 在podcast之前,我把錄音上傳至Youtube,歡迎各位收聽 YT連結 : https://goo.gl/yhRz2i 如果,您也認同我記錄的聲音,歡迎點擊以下連結您小額贊助,讓我更有能力去更多的地方紀錄及分享更多聲音,感恩您的收聽!! https://pay.firstory.me/user/soundwalk Powered by Firstory Hosting 在无锡荡马路 是小脑呀 《荡马路》是由小脑和旧馆长发起的一个社会声音艺术项目。*我们想记录无锡这个城市的文化和人。“你带我荡马路,我听你讲故事”是《荡马路》的slogan。*SoundWalk的形式是指:录音师和漫步者两人共同从漫步者熟悉的地方出发,漫步者边走边讲述,录音师进行收声记录。*我们目前在做的是荡马路第一张音频专辑。*我们定了一个小目标,在这张专辑中邀请100位漫步者录制100段录音。其中包含每段录音的行走线路图、摄影作品、录音脚本、以及普通话文本。*漫步者故事收录完成后,不是这个项目的终点,我们希望这只是一个引子,通过这些内容能够吸引到更多同好之人参与进来。我们希望有更独特的人参与其中,他们会让这个项目变得越来越有趣。*漫步者的故事折射了故事发生地的文化以及整个无锡的文化,这些深度私人的故事拉近了听众和这座城市的距离,以一种更亲近的方式将我们和这座城市连接。*无锡只是我们的起点,如果有可能,我们想为更多的城市做这件有意义的事情。我们欢迎你的报名参与。<b SongWalk Echoes Podcast Don Prisby A Catholic podcast featuring SoundWalk Echoes founder, author, and songwriter Don Prisby and guests celebrating Catholic legacy through music, art, scripture, and story. Saltwater Soundwalk Jenny Asarnow & Rachel Lam Saltwater Soundwalk is about our relationships and responsibilities towards the Salish Sea and connecting waters, centering Indigenous Coast Salish voices and language. In this rhythmic, watery audio experience, streams of stories ebb and flow, intermixing English with Coast Salish languages. Listen to learn where the traditional fishing ground “Hit the Water” is located in Seattle, to hear traditional Tulalip names of local places and to learn about the colonial history of Seattle and the construction of the Ship Canal. Indigenous rights, responsibilities and cultural preservation are essential to healing these waters, our relationship to them and to each other. As well, hear from a public artist and a Seattle Public Utilities manager about how we all impact these living waters. This is an experience for all of us to connect to the Salish Sea area, and a step towards creating healthier human relationships with this changing ecosystem. Voices featured are: Ken Workman (Duwamish), W

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And now we return to our soundwalk series on quiet spots in the city. This is part two of two. But before we get to that, I’d just like to take a minute to reflect on my journey to get here.On April 29, 2022 I released Chapman Beach Soundwalk. It...

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