S2EP7: Modern Orchestral Musicians with Ian Morin episode artwork

EPISODE · Apr 15, 2026 · 1H 1M

S2EP7: Modern Orchestral Musicians with Ian Morin

from The Limitless Musician · host Nathalie Simper & Dr. Katherine Emeneth

In this episode, Nathalie reconnects with Stetson alumnus bassoonist Ian Morin, an orchestral musician and member of the Toledo Symphony. Ian shares his journey from a dual path in pre-med and music, pivoting during a global pandemic, and landing his orchestral position. Tune in for a discussion exploring the realities of a music career, including freelancing, burnout, and the long-term pursuit of orchestral positions. Hear Ian's candid reflections on the impact of the COVID-19 pandemic, how stepping away from performance reshaped his artistic identity, and the mindset shifts that helped him rediscover purpose in his playing. He also discusses his experience performing on Broadway in Camelot and how those opportunities contributed to winning his current orchestral role. Main Points Ian's transition from pre-med studies to a full-time music career Early career experiences in freelancing and gig-based work Navigating burnout and identity challenges during COVID-19 Developing new skills outside of music and gaining perspective Rebuilding confidence and embracing a more personal voice Career growth through networking and professional opportunities Broadway performance experience and its impact on Ian's musicianship Winning a position with the Toledo Symphony Establishing stability within an orchestral music career Get to know Ian! His podcast rec: Not Another D&D Podcast Follow him on IG: @ian_the_bassoonist View his website Check out The Toledo Symphony

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S2EP7: Modern Orchestral Musicians with Ian Morin

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This episode was published on April 15, 2026.

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In this episode, Nathalie reconnects with Stetson alumnus bassoonist Ian Morin, an orchestral musician and member of the Toledo Symphony. Ian shares his journey from a dual path in pre-med and music, pivoting during a global pandemic, and landing...

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