Scream: Deep Thoughts About Badass Final Girls, Self-Aware Pop Culture, and Why We Expect Morals from Horror but Not Comedy

Send us a message! Include how to reach you if you want a response. We're releasing this episode (109) four days early in honor of Halloween!There are certain RULES that one must abide by in order to successfully survive a horror movie.In December 1996, teenaged Emily learned to love horror movies when she saw Wes Craven's Scream in the theater. Twice.Unlike most pop culture specifically created for her demographic, Scream offered feminism, cultural commentary, badass women as protagonists and antagonists, a banger of a murder mystery, and plenty of comedy--all while simultaneously analyzing film tropes, leaning into them, and subverting them all at once. It's no wonder it lit Emily up so much she convinced her scaredy-cat big sister to go see the film, too.But there's a reason Emily hadn't watched this film for nearly 25 years even though it had once been one of her favorites. The murder of peer while she was in college brought home to her the fact that pop culture makes violent death into entertainment. And despite the superb storytelling, rewatching Scream as a 46-year-old mother of teenagers only highlighted the tragedy behind the perfectly-constructed fiction.But even with her misgivings about the film's violence, Emily is still grateful to director Wes Craven, screenwriter Kevin Williamson, and actor Neve Campbell for giving her Sidney Prescott as a pop culture role model for setting sexual boundaries. Sidney has complete bodily autonomy and agency, and neither the film nor any of the non-homicidal characters shame her for her sexual decisions--even when she trusts the wrong man. This was a message that millions of teenagers took in with the quips and scares without realizing it. Nice work, Scream team.Listen in--but don't tell anyone that you'll be right back!Content warning: Discussion of murder, serial killers, sexual violence, Harvey Weinstein, and other types of violence. Mentioned in this episodeHow Scream Got Its R RatingRoger Ebert's ReviewSelf-heating Soup CansThis episode was edited by Resonate Recordings.Our theme music is "Professor Umlaut" Kevin MacLeod (incompetech.com)Licensed under Creative Commons: By Attribution 4.0 Licensehttp://creativecommons.org/licenses/by/4.0/Learn more about Tracie and Emily (including our other projects), join the Guy Girls' family, secure exclusive access to bonus episodes, video versions, and early access to Deep Thou​​ghts by visiting us on Patreon or find us on ko-fi: https://ko-fi.com/guygirlsWe are the sister podcasters Tracie Guy-Decker and Emily Guy Birken, known to our extended family as the Guy Girls.We're hella smart and completely unashamed of our overthinking prowess. We love 80s and 90s movies and tv, science fiction, comedy, and murder mysteries, good storytelling with lots of dramatic irony, analyzing film tropes with a side of feminism, and examining the pop culture of our Gen X childhood for gender dynamics, psychology, sociology, religious allegory, and whatever else we find. We have super-serious day jobs. For the bona fides, visit our individual websites: tracieguydecker.com and emilyguybirken.com. For our work together, visit guygirlsmedia.com We are on socials! Find us on Facebook at fb.com/dtasspodcast and on Insta at instagram.com/guygirlsmedia. You can also email us at guygirlsmedia at gmail dot com. We would love to hear from you!