Sean Metzger, “Chinese Looks: Fashion, Performance, Race” (Indiana UP, 2014) episode artwork

EPISODE · Dec 28, 2014 · 1H 2M

Sean Metzger, “Chinese Looks: Fashion, Performance, Race” (Indiana UP, 2014)

from Behind the Cover with Indiana University Press · host Marshall Poe

Sean Metzger‘s Chinese Looks: Fashion, Performance, Race (Indiana University Press 2014),examines how, in the past 150 years, China was rendered legible to Americans through items of clothing and adornment. Professor Metzger offers a rich and detailed study of Chinese fashion, calling it the “Sino/American interface” that marks political and cultural investments in America’s views of China and Chinese Americans. Professor Metzger does this by providing a cinematic and performance-based cultural history of four iconic objects: the queue, or man’s hair braid; the woman’s suit or the qipao; the Mao suit; and the tuxedo. Rather than simply provide a consumptive or trading history of these garments, professor Metzger traces their emergence as consolidating discourses of gender, race, politics and aesthetics. In doing so, he asks larger questions about how garments can and have been used to express ethnicity, and to render new meanings onto racialized bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

Sean Metzger‘s Chinese Looks: Fashion, Performance, Race (Indiana University Press 2014),examines how, in the past 150 years, China was rendered legible to Americans through items of clothing and adornment. Professor Metzger offers a rich and detailed study of Chinese fashion, calling it the “Sino/American interface” that marks political and cultural investments in America’s views of China and Chinese Americans. Professor Metzger does this by providing a cinematic and performance-based cultural history of four iconic objects: the queue, or man’s hair braid; the woman’s suit or the qipao; the Mao suit; and the tuxedo. Rather than simply provide a consumptive or trading history of these garments, professor Metzger traces their emergence as consolidating discourses of gender, race, politics and aesthetics. In doing so, he asks larger questions about how garments can and have been used to express ethnicity, and to render new meanings onto racialized bodies. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies

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Sean Metzger, “Chinese Looks: Fashion, Performance, Race” (Indiana UP, 2014)

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This episode was published on December 28, 2014.

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Sean Metzger‘s Chinese Looks: Fashion, Performance, Race (Indiana University Press 2014),examines how, in the past 150 years, China was rendered legible to Americans through items of clothing and adornment. Professor Metzger offers a rich and...

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