EPISODE · Jul 20, 2023 · 28 MIN
Silver Voices: Cecil B. DeMille Interview (1958) [Part 1]
from George Eastman Museum · host George Eastman Museum
Photo by Ruth Harriet Louise. Courtesy Stills, Posters, and Paper Collections/George Eastman Museum 00:00:00 Early Career – Transition from Theatre to Film 00:03:24 Early Career – CARMEN (1915) 00:05:36 Early Career – THE CHEAT (1915), Sessue Hayakawa and technique with actors 00:08:00 Early Career – JOAN THE WOMAN (1916) and comparisons to D.W. Griffith 00:13:07 Early Career – THE LITTLE AMERICAN (1917), working with Mary Pickford and Jack Holt 00:17:50 Early Career – THE WHISPERING CHORUS (1918), MALE AND FEMALE (1919) 00:24:10 Career – Representations of marriage, OLD WIVES FOR NEW (1918) and tensions with Paramount The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.
What this episode covers
Photo by Ruth Harriet Louise. Courtesy Stills, Posters, and Paper Collections/George Eastman Museum 00:00:00 Early Career – Transition from Theatre to Film 00:03:24 Early Career – CARMEN (1915) 00:05:36 Early Career – THE CHEAT (1915), Sessue Hayakawa and technique with actors 00:08:00 Early Career – JOAN THE WOMAN (1916) and comparisons to D.W. Griffith 00:13:07 Early Career – THE LITTLE AMERICAN (1917), working with Mary Pickford and Jack Holt 00:17:50 Early Career – THE WHISPERING CHORUS (1918), MALE AND FEMALE (1919) 00:24:10 Career – Representations of marriage, OLD WIVES FOR NEW (1918) and tensions with Paramount The Silver Voices Project, which allowed for digitization and sharing of this archival audio, was made possible by a grant from the U.S. Institute of Museum and Library Services, grant number MA-30-19-0681-19. Any views, findings, conclusions, or recommendations expressed in this audio do not necessarily represent those of the Institute of Library Sciences or the National Endowment for the Humanities.
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Silver Voices: Cecil B. DeMille Interview (1958) [Part 1]
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