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Stephen Baxter, “The Massacre of Mankind,” (Crown, 2017)

In this episode, Rob Wolf speaks with Stephen Baxter, author of The Massacre of Mankind (Crown, 2017), the alliteratively titled sequel to H. G. Wells‘ alliteratively titled classic, The War of the Worlds. Baxter is the author of over 20 novels and doz...

An episode of the New Books in Science Fiction podcast, hosted by New Books Network, titled "Stephen Baxter, “The Massacre of Mankind,” (Crown, 2017)" was published on November 24, 2017 and runs 46 minutes.

November 24, 2017 ·46m · New Books in Science Fiction

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In this episode, Rob Wolf speaks with Stephen Baxter, author of The Massacre of Mankind (Crown, 2017), the alliteratively titled sequel to H. G. Wells‘ alliteratively titled classic, The War of the Worlds. Baxter is the author of over 20 novels and dozens of short stories. He’s won the John W. Campbell Award, the Philip K. Dick Award twice, and numerous British Science Fiction Association awards. Few books (science fiction or otherwise) have had as large an impact on the modern imagination as The War of the Worlds. Since it appeared as a serial in a British magazine in 1897, it has been adapted for movies (at least seven times), comics, television, video games and, most famously, in 1938 for a radio drama by Orson Welles that reportedly caused some listeners, who confused fictional news for real, to panic. In The Massacre of Mankind, Baxter envisions new technologies adapted from salvaged Martian equipment, the takeover of much of Europe by Kaiser Wilhelm, and, of course, the eventual return of the Martians, now vaccinated against the Earth-bound bacteria that vanquished them the first time. Rob Wolf is the author of The Alternate Universe and The Escape. He worked for many years as a journalist, writing on a wide range of topics from science to justice reform, and now serves as director of communications at a think tank in New York City. Read his blog or follow him on Twitter.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction

In this episode, Rob Wolf speaks with Stephen Baxter, author of The Massacre of Mankind (Crown, 2017), the alliteratively titled sequel to H. G. Wells‘ alliteratively titled classic, The War of the Worlds. Baxter is the author of over 20 novels and dozens of short stories. He’s won the John W. Campbell Award, the Philip K. Dick Award twice, and numerous British Science Fiction Association awards. Few books (science fiction or otherwise) have had as large an impact on the modern imagination as The War of the Worlds. Since it appeared as a serial in a British magazine in 1897, it has been adapted for movies (at least seven times), comics, television, video games and, most famously, in 1938 for a radio drama by Orson Welles that reportedly caused some listeners, who confused fictional news for real, to panic. In The Massacre of Mankind, Baxter envisions new technologies adapted from salvaged Martian equipment, the takeover of much of Europe by Kaiser Wilhelm, and, of course, the eventual return of the Martians, now vaccinated against the Earth-bound bacteria that vanquished them the first time. Rob Wolf is the author of The Alternate Universe and The Escape. He worked for many years as a journalist, writing on a wide range of topics from science to justice reform, and now serves as director of communications at a think tank in New York City. Read his blog or follow him on Twitter.   Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/science-fiction
Mur Lafferty – Rob Wolf Writer & Host of New Books in Science Fiction Flatland: A Romance of Many Dimensions Edwin A. Abbott With wry humor and penetrating satire, Flatland takes us on a mind-expanding journey into a different world to give us a new vision of our own. A. Square, the slightly befuddled narrator, is born into a place limited to two dimensions--irrevocably flat--and peopled by a hierarchy of geometrical forms. In a Gulliver-like tour of his bizarre homeland, A. Square spins a fascinating tale of domestic drama and political turmoil, from sex among consenting triangles to the intentional subjugation of Flatland's females. He tells of visits to Lineland, the world of one dimension, and Pointland, the world of no dimension. But when A. Square dares to speak openly of a third, or even a fourth, dimension, his tragic fate climaxes a brilliant parody of Victorian society. An underground favorite since its publication in England in1884, Flatland is as prophetic a science fiction classic as the works of H. G. Wells, introducing aspects of relativity and hyperspace years before Einstein's famous theorie Novel Thoughts Cambridge University ‘Novel Thoughts’ is a series exploring the literary reading habits of eight Cambridge scientists. From illustrated children’s books to Thomas Hardy, from Star Wars to Middlemarch, we find out what fiction has meant to each of the scientists and peek inside the covers of the books that have played a major role in their lives. ‘Novel Thoughts’ was inspired by research at St Andrew’s University by Dr Sarah Dillon (now a lecturer in the Faculty of English at Cambridge) who interviewed 20 scientists for the ‘What Scientists Read’ project. She found that reading fiction can help scientists to see the bigger picture and be reminded of the complex richness of human experience. Novels can show the real stories behind the science, or trigger a desire in a young reader to change lives through scientific discovery. They can open up new worlds, or encourage a different approach to familiar tasks. The Damnation of Theron Ware by Harold Frederic Loyal Books The Damnation of Theron Ware (published in England as Illumination) is an 1896 novel by American author Harold Frederic. It is widely considered a classic of American realism. The novel reveals a great deal about turn-of-the-century provincial America, religious life, and the depressed state of intellectual and artistic culture in small towns.The novel centers on the life of a Methodist pastor named Theron Ware who has recently moved to a fictional small town in the Adirondack Mountains of upstate New York, which Frederic modeled after Utica, New York. A promising young pastor recently married, Theron has a number of experiences that cause him to begin to question the Methodist religion, his role as a priest and even the very existence of God. His moral decline (or illumination) is heightened through his dealings with Father Forbes, the town's Catholic priest; Dr. Ledsmar, a local atheist, philosopher, and man of science; and Celia, a local Irish Catholic girl, a species of aesthete, w
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