PodParley PodParley

The 00s Part 5: Technology

Episode 151 of the Ongoing History of New Music podcast, hosted by Curiouscast, titled "The 00s Part 5: Technology" was published on March 20, 2019 and runs 41 minutes.

March 20, 2019 ·41m · Ongoing History of New Music

0:00 / 0:00

Let’s make a list of all the things we did not have on January 1, 2000…ready?...iTunes, iPods, iPhones…YouTube, Facebook, Twitter…Snapchat, Spotify, smartphones… There was no Netflix (at least as we know it now)…no MySpace…no Instagram Well, what didwe have?...dial-up modems…Windows 98 (if you were lucky) or Windows 95 (if you weren’t)…Apple?...still mostly a corporate basket case…even Google was less than 18 months old… If we look at music, we were mad for compact discs…they were selling by the hundreds of millions, ensuring that the music industry was drowning in money… Vinyl?....dead, dead, dead…the only thing that was keeping that format on life support were club djs who still preferred the feel and action of records over CDs in the booth… We had MP3s and we’d begun to trade music files online, but that was still a clunky and frustrating experience for most people—unless you’d discovered this new thing called “Napster” that had been out for about six months… Now fast-forward ten years to December 31, 2009…everyone was getting smartphones…global CD sales had dropped from a high of 26 billion U.S. dollars in 2000 to around 9 billion in 2009 with no end in sight…the number would get much smaller yet… Meanwhile, vinyl was starting to come back…everyone was using digital music files…streaming music services were starting to catch on…and Apple and Google and Facebook were among the most powerful companies in the world… The recorded music industry was in complete disarray, bleeding money, laying people off, dropping artists, and still trying to litigate their way back to their former glory… The first decade of the 21stcentury was an era of massive technological disruption…how did our music adapt?...let’s examine that…this is the oughts, part 5…   Learn more about your ad choices. Visit megaphone.fm/adchoices

Let’s make a list of all the things we did not have on January 1, 2000…ready?...iTunes, iPods, iPhones…YouTube, Facebook, Twitter…Snapchat, Spotify, smartphones… There was no Netflix (at least as we know it now)…no MySpace…no Instagram Well, what didwe have?...dial-up modems…Windows 98 (if you were lucky) or Windows 95 (if you weren’t)…Apple?...still mostly a corporate basket case…even Google was less than 18 months old… If we look at music, we were mad for compact discs…they were selling by the hundreds of millions, ensuring that the music industry was drowning in money… Vinyl?....dead, dead, dead…the only thing that was keeping that format on life support were club djs who still preferred the feel and action of records over CDs in the booth… We had MP3s and we’d begun to trade music files online, but that was still a clunky and frustrating experience for most people—unless you’d discovered this new thing called “Napster” that had been out for about six months… Now fast-forward ten years to December 31, 2009…everyone was getting smartphones…global CD sales had dropped from a high of 26 billion U.S. dollars in 2000 to around 9 billion in 2009 with no end in sight…the number would get much smaller yet… Meanwhile, vinyl was starting to come back…everyone was using digital music files…streaming music services were starting to catch on…and Apple and Google and Facebook were among the most powerful companies in the world… The recorded music industry was in complete disarray, bleeding money, laying people off, dropping artists, and still trying to litigate their way back to their former glory… The first decade of the 21stcentury was an era of massive technological disruption…how did our music adapt?...let’s examine that…this is the oughts, part 5…   Learn more about your ad choices. Visit megaphone.fm/adchoices
Arts House Listening Program Arts House Listening Program Arts House is Melbourne’s home for contemporary performance.With a year-round program of dance, theatre, music, sound, new technologies and community projects, Arts House is one of the major forces shaping Melbourne’s cultural and social landscape. We cultivate diverse new audiences for independent artists’ ambitious new work, and we build relationships at both local and international levels.This is a house where change happens. From the crisis of extinction to the rapid transformations of technology, we know that the futures of humanity and art are entwined. We want to be hopeful.As part of Melbourne’s cultural landscape, Arts House expresses the deep forces that shape that terrain. Our programming pays respect to Traditional Owners and the land on which our work takes place, and reflects Australia’s ongoing history of migration and displacement.Arts House also seeks to ask questions about power: who has the power to speak, and what is the power of listening? We explore new ways o Press and Society Dr Christopher Scanlon Newspapers and magazines play an important role in economic, political, social and personal life. Focusing primarily on the press in Australia, the United Kingdom and the United States, this subject examines the history of the press, the principles that underlie and inform the press, ongoing debates about quality and 'tabloidisation' and the opportunities and challenges posed by new technologies. A core theme running throughout the subject is the changing business model that underlies the press and effects these changes are having on the traditional role of the press in liberal democratic societies. Life Stories Quilt Life Stories Quilt: Shahrzad Arshadi “Life Stories Quilt” is a multilingual podcast project with a focus on social justice, political and human rights activists life stories. A series of interviews with individuals from all walks of life whose passion and life focus is to bring positive changes into our world locally and internationally. Our goal is to create a colourful and multilayered “Sound Quilt” in order to reclaim our stories and our communities. Our wish is to reach different communities in our city, country and beyond in order to help build common knowledge and memories. This ongoing podcast project has been created to be a platform for dozens of old and new interviews that we start gathering in past decades in Montreal – Canada, Middle-East (Kurdistan), Europe and America. February 20th, 2019 we launched the website (lifestoriesquilt.com) and wishing every other week and regularly to add a new episode or new piece to our colourful Quilt!*Podcast episodes will be in Four different languages; English, Fren Who Is the Man of the Shroud? Father Peter Mangum and Dr. Cheryl White Join us for a brand new podcast dedicated to the ongoing examination and exploration of the mysteries of the Shroud of Turin!Is it a religious icon produced by some process unknown to the 21st century? Is it the authentic burial shroud of Jesus Christ?The series is brought to you by Shroud scholars Fr. Peter Mangum, Rector of the Cathedral of St. John Berchmans in Shreveport, LA, and Dr. Cheryl White, history professor at Louisiana State University-Shreveport. Both Fr. Mangum and Dr. White are members of the American Confraternity of the Holy Shroud – the only authorized affiliate of the Archconfraternity of Turin, curators of the Shroud since 1597. They have both trained at the Shroud Center of Colorado with the noted Dr. John Jackson, who headed the 1978 Shroud of Turin Research Project.
URL copied to clipboard!