PodParley PodParley

The Backstage Rider

Episode 429 of the Ongoing History of New Music podcast, hosted by Curiouscast, titled "The Backstage Rider" was published on November 12, 2025 and runs 31 minutes.

November 12, 2025 ·31m · Ongoing History of New Music

0:00 / 0:00

Going on tour is hard…you’re away from home for months at a time…there’s little sleep, bad food, too many drugs, a surfeit of alcohol, late nights, temptations into bad behavior, crazy people, and that bass player who refuses to wash his feet, probably because he’s on his phone moaning to his girlfriend about how miserable he is…   All that occupies about 22 hours of the day…the best times come when you’re at the venue…there’s the excitement of the lead-up, the after-show satisfaction, and in between, the gig itself…   But every show is different…a different city…a different place to sleep…vans, buses, and, if you’re lucky, airplanes…for that time on the road, your sanctuary becomes the dressing room, the one place over which you have some measure of control—if you know what you’re doing…   This brings me to the concert rider, the part of the contract with the promoter that specifies what an act has to be provided with before, during, and after a show…   Once the band arrives, the road manager is the point-person…he or she has to make sure the promoter adheres to the terms of the rider…   Most of the details are pretty mundane because they’re basically logistical…the times of the load-in and load-out…electrical requirements and the number of local electricians required to make them happen…how many forklifts and drivers are needed to move gear around…catering for the crew…parking for the tour buses…how merch sales are going to work…that kind of thing…   Where things get interesting are the artist’s requirements, the things they need backstage to ensure they’re in a good headspace to play a great show…mess up the rider and the promoter runs the risk of having a pouty, petulant, and otherwise pissed off performance…   And i get it…if you’re an artist and you don’t get what you need before a gig, then you’re going to feel disrespected…   Coming up with a list of requests that can be enforced night after night, venue after venue, city after city, and country after country is a delicate and essential thing…and let’s just say that some bands are better than others at this sort of thing…   Welcome to the wild work of the backstage rider… Learn more about your ad choices. Visit megaphone.fm/adchoices

Going on tour is hard…you’re away from home for months at a time…there’s little sleep, bad food, too many drugs, a surfeit of alcohol, late nights, temptations into bad behavior, crazy people, and that bass player who refuses to wash his feet, probably because he’s on his phone moaning to his girlfriend about how miserable he is…   All that occupies about 22 hours of the day…the best times come when you’re at the venue…there’s the excitement of the lead-up, the after-show satisfaction, and in between, the gig itself…   But every show is different…a different city…a different place to sleep…vans, buses, and, if you’re lucky, airplanes…for that time on the road, your sanctuary becomes the dressing room, the one place over which you have some measure of control—if you know what you’re doing…   This brings me to the concert rider, the part of the contract with the promoter that specifies what an act has to be provided with before, during, and after a show…   Once the band arrives, the road manager is the point-person…he or she has to make sure the promoter adheres to the terms of the rider…   Most of the details are pretty mundane because they’re basically logistical…the times of the load-in and load-out…electrical requirements and the number of local electricians required to make them happen…how many forklifts and drivers are needed to move gear around…catering for the crew…parking for the tour buses…how merch sales are going to work…that kind of thing…   Where things get interesting are the artist’s requirements, the things they need backstage to ensure they’re in a good headspace to play a great show…mess up the rider and the promoter runs the risk of having a pouty, petulant, and otherwise pissed off performance…   And i get it…if you’re an artist and you don’t get what you need before a gig, then you’re going to feel disrespected…   Coming up with a list of requests that can be enforced night after night, venue after venue, city after city, and country after country is a delicate and essential thing…and let’s just say that some bands are better than others at this sort of thing…   Welcome to the wild work of the backstage rider… Learn more about your ad choices. Visit megaphone.fm/adchoices
Arts House Listening Program Arts House Listening Program Arts House is Melbourne’s home for contemporary performance.With a year-round program of dance, theatre, music, sound, new technologies and community projects, Arts House is one of the major forces shaping Melbourne’s cultural and social landscape. We cultivate diverse new audiences for independent artists’ ambitious new work, and we build relationships at both local and international levels.This is a house where change happens. From the crisis of extinction to the rapid transformations of technology, we know that the futures of humanity and art are entwined. We want to be hopeful.As part of Melbourne’s cultural landscape, Arts House expresses the deep forces that shape that terrain. Our programming pays respect to Traditional Owners and the land on which our work takes place, and reflects Australia’s ongoing history of migration and displacement.Arts House also seeks to ask questions about power: who has the power to speak, and what is the power of listening? We explore new ways o Press and Society Dr Christopher Scanlon Newspapers and magazines play an important role in economic, political, social and personal life. Focusing primarily on the press in Australia, the United Kingdom and the United States, this subject examines the history of the press, the principles that underlie and inform the press, ongoing debates about quality and 'tabloidisation' and the opportunities and challenges posed by new technologies. A core theme running throughout the subject is the changing business model that underlies the press and effects these changes are having on the traditional role of the press in liberal democratic societies. Life Stories Quilt Life Stories Quilt: Shahrzad Arshadi “Life Stories Quilt” is a multilingual podcast project with a focus on social justice, political and human rights activists life stories. A series of interviews with individuals from all walks of life whose passion and life focus is to bring positive changes into our world locally and internationally. Our goal is to create a colourful and multilayered “Sound Quilt” in order to reclaim our stories and our communities. Our wish is to reach different communities in our city, country and beyond in order to help build common knowledge and memories. This ongoing podcast project has been created to be a platform for dozens of old and new interviews that we start gathering in past decades in Montreal – Canada, Middle-East (Kurdistan), Europe and America. February 20th, 2019 we launched the website (lifestoriesquilt.com) and wishing every other week and regularly to add a new episode or new piece to our colourful Quilt!*Podcast episodes will be in Four different languages; English, Fren Who Is the Man of the Shroud? Father Peter Mangum and Dr. Cheryl White Join us for a brand new podcast dedicated to the ongoing examination and exploration of the mysteries of the Shroud of Turin!Is it a religious icon produced by some process unknown to the 21st century? Is it the authentic burial shroud of Jesus Christ?The series is brought to you by Shroud scholars Fr. Peter Mangum, Rector of the Cathedral of St. John Berchmans in Shreveport, LA, and Dr. Cheryl White, history professor at Louisiana State University-Shreveport. Both Fr. Mangum and Dr. White are members of the American Confraternity of the Holy Shroud – the only authorized affiliate of the Archconfraternity of Turin, curators of the Shroud since 1597. They have both trained at the Shroud Center of Colorado with the noted Dr. John Jackson, who headed the 1978 Shroud of Turin Research Project.
URL copied to clipboard!