THE SPLENDID BOHEMIANS PRESENT "DOUBLE TROUBLE" - ACES OF BASS WITH TAL WILKENFELD AND ESPERANZA SPALDING. DOUBLE DOWN!!

At risk of seeming sexist, it must be noted that the two prodigies of the bass featured here are female, and perhaps that, in some sense, informs their approach to their artistry.  Listening to BC by Tal Wilkenfeld, and Esparanza Spalding’s Vague Suspicions, one cannot help but appreciate both the technical precision, and the soulfulness of their musical expression. The bass rarely takes the lead in an ensemble - they are usually responsible for holding down the bottom with the drums. However, occasionally, the bassist will step forward into the limelight - Charlie Mingus and Jaco Pastorius come to mind - and, this inversion can lead to some amazing revelations. ESPERANZA SPALDINGI was inspired to read that Esperanza Spalding had been afflicted with Juvenile idiopathic Arthritis as a child. That this was to be the launching pad for a career as master of one of the most physically demanding instruments imaginable - the upright bass -, puts me in awe.  (She also plays the violin, guitar, piano and the oboe). Having the ears and instincts of a prodigy, she was given a full scholarship to the Berkelee School of Music, where she was also granted an honorary doctorate and professorship at age 20.By the way: let’s not neglect to mention her singing, which is miraculous, lifting easily from conversational mode to a soaring airiness, there are unmistakeable echoes of Billie and Ella.  Besides all this, she’s on a mission to make jazz more mainstream - attested by the title of the album Radio Music Society, from which this track derives. If anyone can accomplish this feat, it’s this Grammy Award winner. TAL WILKENFELDI first became aware of Tal Wilkenfeld when I saw Jeff Beck play A Day in the Life at the Rock and Roll Hall of Fame ceremonies. There was Beck, looking relaxed and dashing - delicately maneuvering his whammy bar… and to his left stood what looked like a street urchin with wild ringlets, following his every nuance, note for note, wielding a massive Fender bass, which was as big as she was. It was alchemy. Later, I watched the Live at Ronnie Scott’s video where you could really see the two magicians extended celebration. She was around 20 at the time, possessed of a preternatural talent, and sidekick to one of the greatest guitarists who ever lived. Since then, the master has left this realm, and the apprentice has stepped forward to become her own front person - living in Nashville, playing with her band, and her calendar is filled with multiple special appearances and collaborations. And, to top it all, she’s jolly. Her sense of humor is obvious, partnering with comedians, Marc Maron, Spinal Tap, and Jeff Ross on their projects.