Toms & Overheads

How do you get toms to sound massive without wrecking your mix? When should you gate drums, compress overheads, or use parallel compression? And what makes the API 2500 one of the most respected bus compressors ever built? In Episode 2 of Unfiltered: The Lee Fields Mixing Podcast, Lee continues building a live mix from the ground up, moving beyond kick and snare into toms, overheads, drum bus processing, stereo imaging, and mix glue. Along the way, he shares practical EQ moves, gate settings, attack and release strategies, compression techniques, and real-world decision-making that live sound engineers can immediately apply at FOH. You'll hear Lee walk through: Tom EQ, gating, and reverb techniques Drum panning strategies for live sound Managing cymbal bleed and snare spill Overhead compression using classic hardware emulations Drum bus compression and mix glue Gain staging and routing considerations Parallel compression workflows The history, design, and practical application of the legendary API 2500 compressor Whether you're mixing worship, touring artists, festivals, or corporate events, this episode delivers practical drum-mixing insights, console workflow tips, and the reasoning behind every move. Topics: Live Sound, Front of House Mixing, Drum Mixing, Tom EQ, Drum Gates, Overhead Compression, API 2500, Bus Compression, Audio Engineering, FOH Workflow, Live Production, Worship Audio, Waves LV1, Mixing Techniques, Sound Reinforcement